The 10 Most Awesome Characters Ruined by Fans

By Rob Bricken in Daily Lists
Monday, June 9, 2008 at 5:07 am

comicguy.pngBy Todd Ciolek

If fame is a curse, it’s perhaps most damning for the celebrities who aren’t actually real. After all, stars who destroy themselves in whirlwinds of booze, heroin and ill-advised “concept” albums at least bear some responsibility for putting themselves there. Entirely fictional characters have no choice. They’re at the mercy of writers, directors, artists, producers, marketers, and, in the worst cases, their fans.

Caving in to the wrong type of fan has sullied, overexposed and devalued countless potentially likable characters, proving that getting what you want is often the worst thing imaginable. We’ve chosen ten such fallen characters from the whole of geek canon.

10) Jack Sparrow from Pirates of the Caribbean
We’re not about to deny that Johnny Depp’s mincing, quick-witted pirate captain was the best thing about Pirates of the Caribbean, and, in the sequels, perhaps the only good thing. But his appeal grew milder as the sequels arrived and turned him goofier and goofier. It was fine in the first film because no one really expected it—he was a cartoonish Disney attraction made cinematic flesh, pulling it off better than even the most devoted theme-park enthusiast would have expected.

Those expectations might’ve been too high, or perhaps too low. We didn’t really want to see significantly different or better films with Dead Man’s Chest and At World’s End. For the most part, we just wanted Jack mugging and skipping and generally being more like a Warner Bros. cartoon character than ever before. And we got just that. Serves us right.

9) GLaDOS from Portal
It’s not just the manipulative A.I. named GLaDOS that’s been sullied by fans; just about everything that made Portal an amusing game has been offered up for sacrifice on the altar of the Internet Meme. Portal’s full of clever ideas beyond its basic concept: the catty bitch of a computer is an excellent villain, the storyline feeds off the level design well, and the concept of the Weighted Companion Cube is amusing and even bizarrely touching in a broken-toy way.

Of course, people had to spoil it. It wasn’t long before everyone with the slightest interested in videogames knew the truth of GLaDOS’s promises about cake and the complete lyrics to “Still Alive” whether or not they had actually played Portal. Yes, the cake is a lie. The Companion Cube must be destroyed and it’s very sad. Just let us play the game.

8) Cloud Strife from Final Fantasy VII
Perhaps the best thing about any given Final Fantasy is that it ends. We’re not being snide here; the series has lasted for years (and through scads of jokes about how it’s never the Final Fantasy, har har) simply because it reboots with each game, starting over with a different cast of largely stereotyped characters and changing just enough design elements to piss off half the people who liked like the previous game.

Or at least it used to do that. In Final Fantasy VII, Cloud was an iconic spikish-haired amnesiac mercenary, both an insecure everywimp and, in time, a vengeful hero. He had problems, he overcame them, he watched the more spirited of his two love interests die, and then he saved the world. And, good or bad, it should have ended there.

It didn’t, of course. Years down the road, Square revived Final Fantasy VII with Advent Children, which did little more than re-enact Cloud’s bout with insecurity and indecision, and then brought him back for games like Crisis Core and Dirge of Cerberus. The only thing changed: he’s much prettier. And for most Final Fantasy fans, that makes far too much of a difference.

7) Venom from Spider-Man
Some longtime comic fans like to point out that Venom is a weakly written and overused villain, and really just a monstrous version of Spider-Man when you get down to it. Yet there’s one reason he’s popular: nearly all of the other Spider-Man villains are either laughable nutjobs in Halloween costumes or bizarre, one-joke pushovers, reflecting the fact that Spider-Man himself wasn’t all that serious to start with. The slavering, fanged wreck of Venom is as imposing as you can get.

Unsurprisingly, Venom was a hit with kids of the ’80s, when all of the superhero icons established in decades past started to look a little bit lame. A hideous Giger-ian Spider-Alien was just what the youth of America looked for in their comics, and they got a little too much of it. Before long, Venom inspired a spin-off villain called Carnage, a clone of a clone. And by then, the ’80s were long over.

6) Comic Book Guy from The Simpsons
The clearest sign that a TV show has lived too long: it devotes entire episodes to what were formerly one-joke characters. Such was the descent of Comic Book Guy, the bloated, bearded, sarcastic nerd-of-all-trades who started as a plot framer in a single Simpsons episode and returned time and time again. Fans eventually adopted him as a self-mocking stereotype of hardcore geekery, and there was a time when he was perhaps the most quoted Simpsons character; no small feat, when you think about it.

Then the show made that fateful mistake: it paid too much attention to Comic Book Guy. A good chunk of one episode focused on him recuperating after a heart attack, and it wasn’t so much that the script had him finding love with Principal Skinner’s mother. It was that other characters actually referred to him as “Comic Book Guy.” It was the end of an illusion, the fateful acknowledgment of the writers and the fans becoming one. Any point from The Simpsons’ last eight years could be the moment where it all went wrong, but we prefer to single out the one where Comic Book Guy became a collapsing black hole of an in-joke. We learned his real name, Jeff Albertson, a while after that, but it didn’t really matter then.

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