By Chris Cummins
Remember that episode of The Simpsons where Homer went to college and his roommates endlessly quoted Monty Python and the Holy Grail? It rang true because the comedy of Monty Python has permeated every aspect of modern life. For proof, look no further than your inbox--the junk e-mail there is called "spam" because of a Monty Python's Flying Circus sketch. It's been 40 years since the Pythons first hit the airwaves and their blend of wit and absurdity hasn't lost any of its impact. Although John Cleese, Terry Jones, Michael Palin, Eric Idle and Terry Gilliam occasionally reconvene for retrospectives, they have not performed as Monty Python in any substantial way since 1983. (Graham Chapman remains dead, and as such unavailable for any possible reunions). Remaining on good terms, the surviving members have each embarked on successful--if wildly uneven--solo careers. Featuring everything from unnecessary nudity to Bruce Willis, this list examines the best and worst non-Python projects by Pythons. Wow.
A brief disclaimer before we begin: the films, TV shows and books included here are strictly ones in which the ex-Pythons exercised some degree of creative control. In other words, that awesome episode of Cheers in which John Cleese played a marriage counselor is ineligible for inclusion here. (Though you can probably expect it to turn up in the inevitable The 5 Best (and 5 Worst) Projects Featuring Monty Python Members in Supporting Roles list).
THE BEST:
5) Time Bandits
Chocolate and peanut butter hog all the attention. A truly great combination is time travel and midgets. Remember this, future screenwriters out there: if you add these elements to your script, you are guaranteed a $70,000,000+ opening weekend--and that's a Topless Robot guarantee.* Co-written by Terry Gilliam and Michael Palin (and directed by Gilliam), Time Bandits is the greatest sci-fi/fantasy/comedy of the 1980s that isn't Ghostbusters. Blending undiluted imagination and great performances from the entire cast, the film is a contemporary classic that deserves way more love than it gets. Or that long-promised sequel.
*not a guarantee.
4) The Rutles: All You Need Is Cash
Six years before This Is Spinal Tap, The Rutles brought the rock mockumentary to America with this NBC telefilm about the "Pre-Fab Four." Refusing to rely on Weird Al Yankovic-style parody songs, Rutles creator Eric Idle and songwriter/performer Neil Innes crafted songs that could actually be Lennon and McCartney compositions...if the pair had better senses of humor. In fact, The Beatles' sound and style is spoofed so perfectly that you'd be forgiven if you thought that "Cheese and Onions" was an outtake from The White Album. Cameos abound from Dan Aykroyd, Bill Murray, Gilda Radner and John Belushi that transport you back to the early days of Saturday Night Live, and the portrayal of a Yoko Ono type as a member of the Gestapo is easily the most subversive thing to appear on TV in the late 1970s. If you somehow haven't seen this yet, definitely pick it up. Just be sure to avoid the sequel, more on that in a bit.
3) A Fish Called Wanda
A Fish Called Wanda is a wonderful dark comedy/crime caper that everyone enjoys. Except stutterers. And animal lovers. Those killjoys! The Python with the best solo track record, John Cleese, wrote and co-starred in this 1988 effort as a restrained lawyer who rediscovers life after he gets mixed up with American jewel thief Jamie Lee Curtis. Sadly, he also has to deal with her stupid--though don't call him that--boot-huffing lover, Kevin Kline. (Whose performance earned him a Best Supporting Actor Oscar--a rare honor bestowed upon him by the notoriously comedy-shafting members of the Academy of Motion Pictures Arts and Sciences). Kline may have gotten the glory, but Michael Palin steals the film as the stammering fish enthusiast who finds his inner confidence through running over his nemesis with a steamroller.
2) 12 Monkeys
Is Terry Gilliam a visionary or an overrated director whose
perfectionism impedes his ability to tell captivating stories? His recent films
may indicate the latter, but the dude also made Brazil, Fear and
Loathing in Las Vegas, The Fisher King and 12 Monkeys. Using
Chris Marker's La Jetée as a starting point, this movie throws big ideas at the
audience about mental illness and the always tricky predestination vs. free
will debate. It's also a gripping sci-fi adventure that is deliberately
ambiguous. Just as there as no easy answers for Bruce Willis' James Cole
character, audiences are left pondering humanity's fate at the film's end.
Exactly what does it mean when that future chick tells the airplane
bioterrorist that she's "in insurance"? Was the Bob character another time
traveler, or did he exist solely in Cole's mind? Who else thinks Brad Pitt's
performance is excessively over the top? These questions continue to divide
viewers, and Gilliam wouldn't have it any other way.
1) Fawlty Towers
To quote Arnold Rimmer, "the world loves a bastard." Thus the continuing appeal of Basil Fawlty and his horrific Torquay hotel. Constant BBC and PBS repeats make it seem like the number is greater, but only 12 episodes of the series were made. During production, stars/co-creators John Cleese and Connie Booth took great lengths to ensure that the quality of the program didn't decline. By refusing to milk their comedic cash cow until it was dry, the pair quit while they were ahead and Fawlty Towers remains the gold standard by which other Britcoms are compared.
Hit the jump for the worst Python solo projects ever made.






