Monday, Dec. 14 2009 @ 8:03AM
Far too many films have copied Alien's premise in the stalest ways: take a space station or some other isolated structure, and then have a hideous creature devour a cast of mostly doomed stereotypes, with a determined woman sometimes leading the group. It's an idea that's fed video-store shelves and dead-time cable TV for two decades, and it's time to pluck out the more interesting Alien imitators. Never mind borderline titles like Species or forgotten chaff like The Intruder Within. This list is about the not-really-Alien films you'd remember, seldom in flattering ways. 10) Deepstar Six (1989)
How does one make an Alien knock-off stand out? For many filmmakers in the 1980s, the answer was simple: put it underwater. You'll get all the claustrophobia of space, but with a slightly different and significantly wetter stage. You can also throw in a Jaws reference by having the film's monster bite someone in half.
Unfortunately for Deepstar Six, several other films had the exact same idea in 1989, including Leviathan and James Cameron's The Abyss (the latter of which isn't even an Alien imitator). Deepstar didn't have the marketing or the cast to compete, though it does have Miguel Ferrer freaking out, jetting toward the surface in an escape craft, and then exploding from the ocean pressure. And Deepstar's still in second place there, since Robocop did a more memorable job of blowing up Miguel Ferrer.
The Creature: A muddy, scaly, fanged undersea horror that could've crawled out of the MST3K-ed Italian monster-movie classic Devil Fish.
The Heroines: The crew includes several prominent women, though the only one to make it out is Collins, who's pregnant with the other surviving crew member's child. Perhaps the Deepstar beast follows the same code of honor as the Predator.
9) Roots Search (1987)
Alien rip-offs were everywhere during the 1980s, even in the otherwise completely original field of anime. Roots Search, a direct-to-video dreg from Japan's bubble economy, starts when a space station picks up an unresponsive ship that, surprise of surprises, contains a dead crew and a mysterious, vagina-mouthed alien. The derelict's only survivor, Buzz, is taken aboard along with the apparently comatose creature, which then proceeds to psychically murder the space station's staff by preying on their guilty consciences.
Short and dreary, Roots Search makes this list only for its stubborn and baffling refusal to end properly. Once the crew is pared down to Buzz and the semi-psychic Moira (who are both apparently without sin), the two of them have a sudden hallucination involving 2001-esque intergalactic babies. Then they awaken to find that the space station has transformed into a giant alien uterus. Hand in hand, Buzz and Moira walk off into the pulsing confines of the now-organic station. And that's it. Movie's over. The end. Move along.
The Creature: A pale, moldy humanoid that might be creepy if it actually moved. Instead, it spends most of the film in a futuristic recliner.
The Heroine: Moira's a big-eyed anime girl with psychic abilities, which apparently do little aside from giving her strange visions. The film could've pitted her against the alien in a huge ESP throwdown, but that might've resulted in an ending of some kind.
8) Star Crystal (1986)
Many films that copy Alien also copy its dark, cramped visual style. Not so Star Crystal, which dresses up its Alien rips in well-lit studios and cheap mid-1980s polyester. A team of brown-suited astronauts discovers a strange, egg-shaped object on the surface of Mars, and it hatches to reveal a crystal and lots of slime. After the astronauts' space station goes silent, another team of investigators arrives there to find an alien on the rampage.
Through low-rent tentacle effects and blinking displays, the slime-creature murders the cast except for two bickering explorers. Then the monster reveals that it's actually a good alien named Gar, and that it didn't mean to kill anyone. After reading the Bible, the now-lovable beast makes friends with the two surprisingly trusting astronauts, and together they face another threat to their ship. If only Ridley Scott had thrown such a twist into the original Alien.
The Creature: A yellowish blob with an E.T.-like head and eyes, Gar resembles a glowing garden rock more than anything.
The Heroine: An investigator named Adrienne, who shows little critical thought in making friends with an alien that destroyed almost everyone around her.
7) The First Part of Lifeforce (1985)
Tobe Hooper's Lifeforce is mostly remembered for showing actress Mathilda May naked in almost every scene, but it's also a big, sloppy, wonderful clusterfuck of a film. The ending has bat-monsters turning London into a huge zombie riot of exploding buildings while May and the film's hero have hateful vampire sex inside a giant spaceship's tractor beam. Let's see Twilight top that.
Before all this schlocky hell breaks loose, Lifeforce recycles Alien's premise with blatant precision. And why shouldn't it, since Alien co-writer Dan O'Bannon was on script duty? It begins when a space expedition discovers an enormous ship lodged in the corona of Haley's Comet. Inside the bizarre, vaguely organic vessel, the astronauts find decaying batlike creatures along with three curiously well-preserved humans, one of whom is the completely naked May. A month later, the unresponsive shuttle drifts back to Earth, gutted by a fire that somehow left the three aliens alive. The only remaining crew member, a bland type named Tom Carlson, crash-lands in an escape pod and tells everyone the truth about the space vampires, but by then it's far too late: May has already started up her naked-bloodsucker journey, so she and Carlson hunt and screw each other for the rest of the movie.
The Creatures: Space vampires that look human 90 percent of the time. When killed, they turn into giant bat-beasts.
The (Anti-)Heroine: May's character is actually kind of boring, lacking a real name or personality. Still, she spiritually hijacks a doctor played by Patrick Stewart and almost has him making out with Carlson.
6) Lily C.A.T. (1987)
The anime industry's best Alien-inspired moments came with Cowboy Bebop's "Toys in the Attic" episode, but that's more of a parody than thievery. Lily C.A.T., on the other hand, is all-out plagiarism that wants to be taken seriously. In the near future, a ship full of the most boring people ever catches a mysterious strain of bacteria on its journey through space. Upon emerging from their cryogenic capsules, the crew is killed off in mostly tedious ways, all while the ship's computer, which is called "Mother" and looks just like the Mother computer terminal from Alien, tries to save itself and the robot cat that controls it.
Lily C.A.T. is a painfully unimaginative retread of Alien and John Carpenter's The Thing, though it becomes strangely funny whenever a cast member dies. That's when the remaining characters discuss the giant, murderous, ship-eating bacteria beast in perfectly calm conversations. Witness their reactions to the demise of an Australian detective who's either sporting a mustache or impeccably well-groomed nostril hair.
With a hokey 1990s English dub, the film reaches bizarre comedy as the alleged heroes discuss death, suicide, and hideous creatures as though they were a Taco Bell night crew counting up the registers. Maybe they've seen too many Alien rip-offs to be disturbed by a grotesque monster devouring their shipmates.
The Creature: A gooey, tentacled aberration that's part the Thing, part xenomorph, and part bacteria. It was designed by artist Yoshitaka Amano, now much more famous for Final Fantasy, Sandman: The Dream Hunters, and other, better things.
The Heroine: The only conspicuous woman in the film is Nancy, the blonde daughter of a high-up company executive. In contrast to the blasé reactions of the rest of the crew, she spends most of her time shrieking and sobbing in terror. Listen closely to her blubbering tirade above, and you'll learn that she went into space just to get back at a boyfriend-stealing rival. Vasquez, she ain't.
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