TR's 10 Best Comics Read in 2013

By Greggory Basore in Comics, Daily Lists
Friday, January 10, 2014 at 6:00 am

#5. B.P.R.D. Hell on Earth Volume 6: Return of the Master


One of the most enjoyable elements of Hellboy and its spin off B.P.R.D. (short for Bureau for Paranormal Research and Defense) is the lack of a status quo. When characters die they tend to say dead (or at the very least take a really long time to come back to life) and when things go wrong they tend to stay wrong or get worse. For example when Hellboy got pissed with the Bureau about planting a bomb inside his homunculus buddy Roger and quit, there was no subsequent reconciliation or even any communication with his former team mates. Hellboy made a clean break and went off on solo adventures, while the Bureau got their own series and characters like Liz Sherman and Abe Sapien moved on with their lives.

This fine tradition of moving forward was carried on when B.P.R.D. climaxed with a series of catastrophic events that left the world forever and irreversibly scarred. The following Hell On Earth series has had a bleak tone of futility and despair as the world continues to get worse while the good guys provide little more than damage control of diminishing effectiveness.

The latest volume involves the culmination of a long in the works plan to resurrect the infamous Grigory Rasputin who has been instrumental in the efforts to bring the Lovecraftian Ogdru Hem creatures to Earth to usher in an apocalyptic rebirth of a new world. As his followers scheme, the Bureau is still reeling from recent calamities and losses while trying to follow some leads and figure out where the next big threat is coming from. Writers Mike Mignola and John Arcudi continue to deliver a gripping tale while Tyler Crook brings a curvier, slightly more cartoony flavor of art that still captures the grisly and brutal viciousness of the various monsters plaguing the world.

#4. Chew Volume 7: Bad Apples


One of the best crime noir/comedy stories to ever come along, Chew follows the adventures of Tony Chu, a federal agent who is also a cibopath, which means that he can feel the life experiences of whatever he eats. The series takes kooky ideas like this or cyborg-fighter chickens and treats them with a deadly sincerity that makes the absurd seem intensely serious in addition to freaking hilarious.

In this volume, Tony is reeling from a death in his family and reacts by burying himself in his work in order to find the ones responsible for his loss and make them pay. Seeing the character go all bad ass and intense after so long as a milquetoast sad sack is something rather cliche, but in the hands of writer John Layman (who's spent multiple volumes planting the seeds for this evolution of character) it's executed brilliantly. Artist Rob Guillory delivers a vibrant manic vibe that melds well with the odd ideas abounding throughout the story. The stage continues to be set for an epic showdown that will no doubt have another volume of this series end up on a future years best list.

#3. Hellblazer: Death and Cigarettes


One of the most heartbreaking bits of comics related news in 2012 was the announcement by DC Vertigo that the long running series Hellblazer would be coming to an end with issue #300. While it's sad to see the original John Constantine put out to pasture so more focus can be placed on his younger New 52 counterpart, writer Peter Milligan delivered a fitting send off for the cheeky old bastard.

After a pair of fun one off stories illustrated by cover artist Simon Bisley (including a great werewolf story), Milligan picks up on the previously introduced thread of John's sister Cheryl having been revealed to have had an illegitimate son in her teens. Having promised the ghost of his sister that he'd find his nephew and make sure he was okay then immediately backing out of it, circumstances force John to investigate the matter anyway when dead bodies start turning up. Fearing that his missing nephew is another victim of the 'family curse' of madness and magic that has plagued his kin over the generations, Constantine finds that things are even worse than he'd guessed...but for much different reasons. Giuseppe Camuncoli gives this tale of the latest addition to John's twisted family tree the proper jagged brittle edge it deserves and does the same for the series finale as well.

The collection is closed out by the titular 3-part story arc where Constantine sees signs and portents that he's going to die in a few days, and then makes the unexpected move of accepting his fate and saying his goodbyes. Naturally some twists and turns pop up along the way and Milligan leaves the door open to bring John back to readers if DC ever changes their mind, but if this ends up being the final hurrah for the longest running series Vertigo ever printed, it's a hell of a way for the character to exit the stage.

#2. A God Somewhere


This is a hard entry to write about without feeling like it'll ruin the experience of reading it. The evocative title and eye catching cover are enough to get one to pull the book off a shelf and take a glance. With that in mind it's strongly suggested that you skip the rest of this entry and go read the graphic novel instead of the following plot synopsis.

What starts out as an quiet suburban tale of two brothers and their best friend acclimating to the changes brought on by adulthood takes a loud shift in direction when a mysterious explosion at the apartment of younger brother Eric ends with him not only being alive, but also having super powers. After going a few miles down the standard road of newfound fame and admiration for his heroics, the story turns an interesting corner when all that fame goes to Eric's head and he develops a God complex, then goes on a rampage. By showing what a lot of people might actually do with superpowers, author John Arcudi (who did similar deconstructions with The Mask and Major Bummer) takes one of the favorite fantasies of nerds everywhere and sours it with a harsh dose of reality. Artist Peter Snejbjerg gives the visuals an appropriately smudged and dirty feel that lends the eventual swath of destruction and turmoil a visceral intensity that works brilliantly.

#1. (Tie)
Saga by Brian K. Vaughan and Fiona Staples
Manhattan Projects by Jonathan Hickman and Nick Pitarra



When I did this list last year the two biggest complaints were "How could you leave out Saga!?" and "How could you not include Manhattan Projects!?" Enough people chewed me out for leaving these titles off the list that they were immediately added to my hold list at the library to see what I was missing. The answer was, "a helluva lot."

Saga is a grand space opera/fantasy in the tradition of Star Wars and Lord of the Rings with a healthy dose of Romeo and Juliet. It follows the adventures of star crossed lovers Alanna and Marko, who come from warring alien races, and their newborn daughter. As the new family flees assassins from both sides, they end up stumbling into one problem after another. Vaughan continues to be one of the best storytellers in the field and Staples' art has the feel of a gritty cartoon series that would have fit in on MTV's Liquid Television.

Manhattan Projects is set in an alternate universe where the project to build the atomic bomb was a cover for even more amazing scientific endeavors such as A.I. and travel to parallel universes. The series cast is comprised of reimagined versions of famous scientists like Albert Einstein, Richard Feynman, Wernher Von Braun and the devious Joseph Oppenheimer (who in this reality had a twin named Robert that he killed and ate). Hickman taps into the pulpy feel of classic sci-fi tropes from the '50s and infuses them with a modern taste of bleak bitterness. It feels like the kind of bold concepts that made up classic matinee movies, balanced with the previously suppressed knowledge of the kind of dirty things the military industrial complex would actually do in the pursuit of dominance. Meanwhile Pitarra gives the setting a zany cartoony feel with his curvy style that's reminiscent of Frank Quitely without feeling like an imitation.

These two series represent one of the best feelings that can come from nerdy media; a story so cool and unique that people feel a driving need to passionately insist that others read it. So by all means, please use the comment section below to chew me out for anything I left off this years list - so I have more stuff to enjoy in 2014.

Previously by Greggory Basore:

The 10 Best Comics of 2012

The 30 Best Origins of Superman

16 Heartbreakingly Awesome bits of production art that never made it to the screen.

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