The 10 Most "Michael Bay is as Michael Bay Does" Moments in Transformers: Age of Extinction

By Sherilyn Connelly in Daily Lists, Movies
Friday, June 27, 2014 at 6:00 am

5. Bloodless Mayhem.


Obviously, a Transformers film (based on Hasbro's TransformersTM Action Figures, DEAL WITH IT) can't accurately depict the consequences of the violence it depicts, and certainly vast quantities of blood are a no-no. Early on we're told that the events of the previous film left 1300 people dead in Chicago, and while that seems like a low number, at least it was some kind of acknowledgement of the mass death that would have to occur when battling robots lay waste to a city.

And then we get this guy essentially getting run over by a jumping car, and it has the same effects as Tony Shaloub getting tased in Pain & Gain.


In Age of Extinction, liquid comes spurting out of his mouth, rather than, say, his whole damn face coming off like in Death Proof. I can't believe I'm using Death Proof as a positive example, and I'm not really a gorehound, but this moment actually damaged my suspension of disbelief. And this is in a movie with robot dinosaurs.

Granted, it didn't make me actively angry at the movie like a scene a few minutes before.

6. The Slow-Motion Tear.


Evil government agents lead by not-Stanley-Tucci have invaded Cade's farm looking for Optimus Prime, who has gone into hiding. Commanding them from afar, Harold Attinger (Kelsey Grammer) orders them to shoot Tessa on the count of ten if Cade - who doesn't actually know where Optimus is at that moment - doesn't tell them where Optimus is. To say the actors playing the government goons are manhandling Nicola Peltz is an understatement, and toward the end of the elongated countdown as her head is pressed to the ground, a CGI tear falls from her eye in slow-motion.

That is Michael Bay's idea of drama.

The character of Tessa is just poorly written across the board. (Ehren Kruger wrote the screenplay, but it's a Michael Bay film through and through.) In addition to the film both leering at her all sexy-like and simultaneously shaming her for it, she's written as weak and helpless, panicking at all the wrong times (there's one moment where she looks skyward and yells "Help me!" that is just the most painfully awkward scene since I don't know when), a burden on the competitively macho male characters, and the closest thing to a character arc is her father deciding to maybe not be quite so protective of her.

Also, a non-robotic alien who never shows up before or after (maybe it's canonical from the cartoon, I have no idea) briefly puts its tentacle around her leg.


The ultimate problem is that the script gives Tessa all the emotional maturity of a not-especially-mature 12 year-old, but is made to be a 17 year-old, because she can't not be an object of desire, and not even Michael Bay is going to want the men in the audience to get the hots for a 12 year-old. (He's not Luc Besson.)

Again, Michael Bay is as Michael Bay does, this is what he does, and I'm under no illusions that my criticisms are original and/or that anything is going to change.

And now I need to cleanse my palate with something that doesn't make me want to hurt myself.

7. Hey, It's Rainbow Dash!


Using a substance called "Transformium" (you can work out the etymology of that one yourself), a beardo scientist with a penchant for donuts briefly creates a rather large model of fellow Hasbro property Rainbow Dash from My Little Pony: Friendship Is Magic. It's only onscreen for a few seconds, but, hey, corporate synergy at its finest! I think I was the only person in the IMAX theater to react to it, but it made me happy, and that's a rare emotion to feel while watching Transformers: Age of Extinction. I would have preferred Twilight Sparkle or Rarity, but the tech (and Michael Bay, though he'd never admit it) seems more like a Rainbow Dash kinda guy.

8. China.


I tell ya, I couldn't have been more relieved when the 157-minute Age of Extinction finally got China, because it meant that we must have been approaching the third and final act. (Speaking of endings, the beginning and end of the film strongly parallel the beginning and end of Prometheus. It's kinda weird.)

And while we do get a quick shot of a sexy girl in an elevator dressed just like she's in a Michael Bay movie, the main Chinese character is Su Yueming (Bingbing Li). She's a strong, determined character with agency that can more than hold her own in a fight. It's a terrific refutation of the stereotype of submissive Chinese women, and while an argument could be made that her character is a blatant pander to the country that is funding so much of this and other blockbuster movies, my question is this: why only the Chinese women?

Why can't Michael Bay also pander to the U.S. in the same way, by making American women strong characters, too? And I am not equating "American" with "white," either. Hell, he could split the difference and have the lead female role in the inevitable fifth Transformers film be a strong Chinese-American woman. For that matter, Michelle Rodriguez going up against Megatron would be just about the most badass thing ever. I would actually pay to see that, something I'm proud to say I've avoided doing for a Transformers film thus far. (Last time I bought a ticket to a Bay film at all was Armageddon in 1998.)

I sincerely doubt such a thing would happen - Michael Bay is as Michael Bay does - but it's nice to imagine. (We're also under orders to imagine dragons, so get to work on that.) In the meantime, there's only one thing you can be sure of in a Transformers picture...


10. And Robot Dinosaurs, At Least This Time Around.


Robot dinosaurs being rode by other, sword-wielding robots, in fact. I mean, there you go. That sells the movie, and the appearance of Grimlock 'n pals certainly got the longest sustained applause from the audience. But no ovation for Rainbow Dash! I don't understand this world. (Then again, I suspect I was the only person in the audience who thought Veep has been the best show on HBO on Sunday nights in recent years.)

You know exactly what to expect from Transformers: Age of Extinction - you knew it before you read this article, you sly dog you - so all I can say is to maybe also give Snowpiercer a shot. If they're in the same theater, buy a ticket for Snowpiercer, then sneak into Age of Extinction afterward. Also, check out Transformers: The Premake before you see Extinction. It summarizes everything you need to know about modern blockbuster production and publicity.

Or after you see Extinction. Or step out into the lobby halfway through the movie when your brain starts to hurt, and watch Transformers: The Premake on your phone. With the possible exception of the Rainbow Dash cameo, you won't miss anything important in Transformers: Age of Extinction.

Michael Bay is as Michael Bay Does.

Previously by Sherilyn Connelly:

The 7 Coolest Things About Ayumi Seto's J-POP Appearance at San Francisco's Cherry Blossom Festival

7 Reasons You Should See Terminator Too: Judgment Play

Manos: The Hands of Fate Restored - The So-Called "Worst Movie" Has Never Looked Better

The 33 Coolest Videos from PONIES: The Anthology

6 Reasons You Should Watch Bullet in the Face

The 5 Coolest Things About the Navajo Translation of Star Wars

15 Awesomely Nerdy Behind-the-Scenes Documentaries You Can Watch for Free Right Now

The Eight Funniest Recurring Themes in the Original Star Wars Trading Cards

The Six Coolest Things In Starlog #001: The Voyage in Retro-Nerdery Begins

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