By Rob Bricken in
Daily Lists, Video Games
Monday, Jul. 6 2009 @ 7:56AM
Consumer culture is a mixed blessing. We have cool gadgets, free network TV and junk food available at every whim. This utopia comes with a hefty price tag, though, and it's not just free will or individuality or whatever the hippies like to argue - it's awful videogames. Capitalism is alright most of the time and gamers understand that their precious platforms ain't a charity - it's all about supply and demand, which is why historically, the number of games touting established licenses practically merits its own genre. Pimping a movie tie-in, cartoon or sports star can be ridiculously lucrative and really, there's nothing wrong with the practice as long as the games accomplish the prime directive: being awesome and fun. Unfortunately the lust for money has pushed many developers into releasing less-than-stellar games in the name of branding over the years. The quality of these games ranges from simply uninspired to straight up unplayable -- smacking gamers with IPs like a canoe paddle to the parietal lobe. Read on to examine the ten corporate games most worthy of snob scorn and hippie hostilities.
10) Cool Spot
The better of 7-Up's two videogames on the Sega Genesis (Fido Dido was just too...relaxing), Cool Spot gave kids everywhere the illusion that pointing your hand like a gun and making fizzy sounds was enough to defeat hermit crabs and other menaces. CS is actually a pretty good time for younger gamers. There's action without gore, clean graphics (for the time) and cooperative play with a second controller. Still, with an almost oppressive amount of 7-Up ads on every stage, the fundamental enjoyment of the game gets distracted by needless shilling that steers players straight to a Sprite.
9) Avoid The Noid / Yo! Noid
Yes, Domino's pizza-ruining spokesthing somehow managed to star in two videogames. Two! Each game represents a separate aspect of the Noid's multifaceted personality: annoying and annoying. In the DOS program Avoid The Noid, he's (as the British would say) a right bastard preventing pizza deliveries. In the NES's Yo! Noid, he's a pogo-sticking red dude who is somehow the lesser of two Noid evils. If Yo! Noid seems somehow acceptable, it's because it's actually a port of one of Capcom's Japanese side-scrollers with repurposed graphics. This makes Yo! Noid perhaps the only likeable Noid appearance in pop culture history. Thanks Capcom!
8) Chex Quest
Let's see... Humanoid cereal pieces are being eaten by globs from another dimension on an off-world outpost and the only way to save them is by returning said globs to their home using modified weaponry. Naturally, this is a one-person (or humanoid Chex cereal piece) job, right? Admittedly, this zany plot is just as logical as the original Doom's, but this modified PC shooter lacks any of the adrenaline its predecessor accomplished. Yes, theoretically the monsters want to eat the Chex people, but so do the gamers. Perhaps the protagonist roles should have been reversed...
7) Chester Cheetah: Too Cool To Fool
Before Chester's recent commercial upgrade to the puffed snack equivalent to a devil on one's shoulder, he was basically the equivalent of a Looney Tunes character. As such, he was fully exploited by the folks at Frito-Lay and thrown into a truly awful videogame on the Super Nintendo. The controls are sticky, the sound effects and music are irksome and the color palate and animation are like a Lisa Frank grinding on a bag of puffs. There is one arguably awesome detail saving this game from complete ridicule, however. When Chester goes into his "invincible mode," he rocks out Van Halen style like he's hot for teecha. That'll redeem anybody.
6) Mc Kids / Mick and Mack: Global Gladiators
After decades of releasing crappy Happy Meal toys, McDonald's standards for videogame releases were apparently just as low. In Mc Kids for the NES, two wobbly little dudes must cooperate through side-scrolling worlds chock full of harmlessness to um...save Ronald and friends? It's kind of hard to tell, honestly. Especially when the two controllable characters distract players by starring into the void with their cold, dead, black eyes. The Genesis' Mick and Mack, by contrast, is a much darker and dangerous game. In fact, it's even borderline fun...as long as players turn the volume off. While jumping through garbage dumps and toxic wastelands, somehow killing mutants with water pistols, Mick and Mack manage to chirp some of the most annoying sound bytes of any title, which is saying a lot. Both games are lackluster fare made worse by pointless branding. Seriously, all that button mashing must have induced about three McNugget cravings to the half-dozen or so kids who paid money to play these games.
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