The 10 Longest and Awesomest Movie Fight Scenes of All Time

By T.J. Dietsch in Daily Lists, Movies
Monday, Nov. 16 2009 @ 8:02AM
5) Neo vs. Agent Smiths, The Matrix Reloaded

So far, the list has mostly been one-on-one match-ups, but this army of Agent Smiths squaring off against Neo in Matrix Reloaded puts them to shame for sheer scope. Sure there's a fair amount of CGI and wire work, which detracts from the overall awesomeness, but you can't deny that you weren't blown away the first time you saw this on the big screen. Story-wise, the Matrix sequels might not have lived up to the original, but the fights were still spot-on awesome. Bonus points for knocking the crap out of everyone with a giant pole.

4) Final Battle, Chinese Connection
Yes, Enter the Dragon is an amazing movie and the end fight scene between Bruce and the claw dude is pretty spectacular. But, it's not the end all and be all when it comes to crazy Bruce Lee ass kickings. In Chinese Connection, after he takes on a full dojo and his fair share of one-on-one kung fu fests, Lee's Chen Zhen fights his way through the evil dojo's best fighters, inclding a white guy in a suit and an old man with a sword. Other bonuses that put this fight over the edge include the sword-in-the-air kill, Lee using nunchucks and that simultaenous flying kick at the end sending the bad guy flying throw a paper wall and halfway out into the courtyard. That's a bad ass kick and not once are you worried that the awkward claw-hand is going to fall of the bad guy's hand (cause, you know, that's a different movie).

3) The Bride vs. O-Ren Ishii and Her Minions, Kill Bill Vol. 1

Quentin Tarantino had been pegged as one of the most savage filmmakers around, but he didn't really earn it until Kill Bill Volume 1. Yeah, the ear-slicing scene in Reservoir Dogs was intense, but you don't actually see the ear getting cut off. And yes, the scene in Pulp Fiction where Marvin's head explodes is fairly graphic, but neither of those hold a candle to the epic, blood-splattered sword fight between The Bride and the Crazy 88 in Japan. Between taking on however many members of the Crazy 88 there actually were, fighting Gogo and her Duncan from hell and the final battle with O-Ren, this is one of the most intense fight scenes in movie history. There's even that rumor that Tarantino had to cut the color from one portion because it was just too bloody. Now that's savage.

2) Philo Beddoe vs. Jack Wilson, Any Which Way You Can
When it comes to epic fight scenes, you've got two basic kinds. The bareknuckle, one-and-one brawlers and the group fights (one or more people versus a bunch of others). They both have the potential for greatness and the ending fistfight between Philo Beddo and Jack Wilson (in this sequel to Every Which Way But Loose), is the absolute best of the best. Throughout the whole movie, we keep hearing about just how amazing a fight between these two brawlers would be. We even get to see them fight side by side. But it's only after all the heat dies down at the end of the movie and the spectators are heading home that Clint Eastwood and William Smith finally throw down. And boy, what a fight it is. Starting in a shed and moving through the whole town, you really see these two men beat the tar out of each other as an ever-growing crowd (including Clyde the ape) follow them around. It's like the fight from The Quiet Man if it was written by the guys who did Crank. To add to the sheer coolness of the scenario, they even stop to drink a beer in the middle of the nearly 11-minute fight.

1) Kham vs. Johnny's Goons, The Protector

They just couldn't leave his elephant alone. They just had to have it. Well, what happens when you get between a boy and his elephant? The boy comes to the city and beats the ever living hell out of you. Played by the raddest movie martial artist around, Tony Jaa's Kham absolutely annihiliates the bad guys at an illegal restaurant for nearly 10 minutes straight. He disables his attackers with kicks, punches and knees solely inteded to crush his attackers bones. Jaa works his way up the spiral shaped building, making mincemeat out of anyone who gets in his way. And the very best part? The reason it takes the number one spot? It's all one take. Notice how the camera never cuts away once. That means that every move was executed perfectly, all the stuntmen hit their marks (and mats after falling) and there were zero technical glitches. Pretty impressive no?