A Dr. Demento favorite and influence (both direct and indirect) on musical comedians of later years and today, Lehrer remains a cultural icon despite his relatively short performance career and his refusal to write newer songs. While this does mean we are robbed of the sort of topical satire he excelled at, much of Lehrer's songbook remains fresh today, largely due to the gleeful pessimism that is the man's trademark. Yes, underneath the jolly piano vamps and atrocious slant rhymes of his ditties lurks a deep, dark hatred and distrust of humanity, and the bitter tragedy that is modern life: people are foolish idiots, governments are corrupt and ineffectual, and complete annihilation is only one botched political conflict away. Even though nuclear war is not quite the imminent threat it once was, for the most part Lehrer's view of the world is still relevant, in the general if not the specific. So let us take a pleasing summer stroll through Tom's most misanthropic entries and try to forget for a moment our drab, wretched lives.
11) Poisoning Pigeons in the Park
One of the best and most famous Lehrer songs, this places low on the list as it is actually relatively less cynical than these other entries: at least the serial animal murderer protagonist genuinely enjoys what he does, even if he has "gained notoriety" doing it. In typical Lehrer fashion, the style is bright and cheery while the subject is sinister, especially when he darkly sings of taking a few pigeons back home "to experiment". It says something about our society when a song about cheerily killing off animals barely raises an eyebrow anymore, but this is still one of the most gloriously perverse songs ever to be unleashed from the holding cells of Tom's mind. And it's not nearly as creepy as...
10) I Hold Your Hand in Mine
In the Lehrer universe, which is perhaps merely our own, love offers no consolation as time ensures that all things will grow old and waste away. Yet some times we may find ways to make it endure, as in this heartwarming ballad. This is another subversive send-up of a popular song style, cleverly structured so that the joke isn't immediately apparent but comes across gradually. It's surprisingly graphic, actually, and the warbling tones of Tom's voice as he sings of "taking healthy bites" only make it more disturbing. If you think about it, there aren't really that many good-old-fashioned man-with-a-piano songs that take the point of view of an admitted psychopath, so it's nice that we have this number to spice things up.
9) My Home Town
Beating "The Kids Aren't Alright" to the punch by several decades, this song is indeed a look at the cherished home town which the singer nostalgically longs for, and all the fucked-up things that have happened to it since he lived there (including one line that can't be mentioned for fear of controversy). But unlike the Offspring classic, the narrator of this song doesn't realize that things have gone wrong or ever were, seeing everything through such a thick veil of nostalgia: if there's nothing else you take from Tom, it should be that this sort of thinking can be very dangerous.
8) Bright College Days
Few people could speak of the banality of higher education better than Lehrer, and his desecration of the "alma mater" still rings painfully true to many of us graduates, especially in this time of low employment and general discouragement ("we will sleep through all the lectures/and cheat on the exams/and we'll pass/and be forgotten with the rest"). The students may have had fun with their beer and Benzedrine but it ultimately is all castles in the sand as they slowly relinquish their dreams and begin "sliding down the razor blade of life", a pitch-perfect Lehrerism for the inexorable sense of doom that shows up again and again in his work.
A mock-calypso song chronicling the effects of industrial pollution on American city life: all it's missing is a verse about shrinking ice caps and it could be Al Gore's ringtone. It may seem like a worn-out subject, but there's at least one phenomenal line here: "See the halibut and the sturgeons/getting wiped out by detergents". What's even more frightening than the environmental damage is the interminable thought that none of our water is clean and nothing we consume is safe from toxins. We should all breathe a carcinogen-rich sigh of relief that Lehrer retired before he could write a song about food preservatives.