TR Interview: Katee Sackhoff, on Oculus, Marvel Rumors, Riddick and Singing

By Luke Y. Thompson in Gaming, Movies
Friday, April 4, 2014 at 10:00 am

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Is it too obvious to note that in person, this star of the horror film Oculus is easy on the eyes?

If you're a fan of Katee Sackhoff, you already know that she can be tough. But you may never have seen her get so downright deranged as she does in this terror tale of a mirror that drives people mad, then reincarnates them as undead apparitions. Poor Karen Gillan may have thought the Doctor was a little mad, but her new onscreen mother redefines the term.

Fortunately, the real Sackhoff spared my life, and we had a nice conversation.



Luke Y. Thompson: So what was your first reaction when they said you were playing Karen Gillan's mom?

Katee Sackhoff: Well, I didn't know who Karen was, but I thought, as soon as I saw a picture of her, I went home, and I have to dye my hair red! And then I kind of went over the script. It completely makes sense to me.

LYT: Last year at Comic-Con, at the Women in Action panel, I'm paraphrasing, but you made a comment that casting agents couldn't see you as anything but a blonde, that they wouldn't consider you for brunette roles.

KS: Right.

LYT: Now that you've been a redhead, is that changing?

KS: [laughs] Hopefully. I think I meant it more metaphorically, in the sense that stereotypically, blondes in films are stupid, and we play airheads all the time. So I think I meant it more in that sense, and that to play against type. I remember when they said, "Well, Starbuck can't have long hair!" And I said, "Why?" They said, "Because that's not tough." I was like, why? I don't understand. I don't understand why everyone's hair on this show changes but Starbuck's. So it's just - that's what I meant. It was more of a metaphorical thing.

LYT: I don't think you've ever played an airhead, though, have you?

KS: I did, at first. Early in my career I did, for sure. And then I kind of went more against type and started playing rebellious teenagers, and then segued right into Battlestar, so I never really got typecast into that. But I did, in the beginning of my career, start there, for sure.

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LYT: Is it freeing, and presumably very different - late in this movie your character transforms and you get kind of grotesque. Is it freeing to not have to worry about looking good and just focus on a crazy performance?

KS: Yeah, for sure! You know, it was definitely one of the things that I wanted to do with this character, absolutely, was make her as ugly as possible was my goal. I think part of the interesting thing about this script is that there's a parallel - parallel opinions as to what happened, going on between the two children.

So if you're going with that kind of idea, where one child thinks it was paranormal, and the other child just thinks that their parents abused each other, then there's two completely different things that you kind of `want to play, because that's what you're toying with, with the audience. So I wanted to, if this is a woman that physically maybe did hurt her children, I wanted her to be ugly to represent that break at the end.

LYT: When you're biting on the crockery, how was that achieved? Was that breakaway or was that achieved through sound?

KS: A little bit of both. It's achieved through sound, but the plate is - I would have the actual ceramic plate, and then they would bring in a foam piece.

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LYT: How did you come to this project originally?

KS: The script was sent to me - Mike Flanagan was a fan of Battlestar Galactica. They were casting the role, and they sent the script over, and I had been familiar with Mike Flanagan's work, because I read a script that he had done, or had written, a few years before, that I absolutely loved and had previously attached myself to. So as soon as I saw his name on the script and then read it, I immediately said I'll do this.

LYT: Abstract connection, but this was picked up by WWE films, and you just recently starred opposite Dave Bautista. Are we going to see you at WrestleMania this weekend?

KS: I'm working this weekend, so no. [chuckles] Big fan of Dave Bautista. Love him! I think that he's incredibly talented. He was fantastic in Riddick. I think that he's going to have a long career ahead of himself, and he's a really great guy, and he deserves it.

LYT: Did you sign up for more than one Riddick movie, because I know Vin's talking about doing another one?

KS: Right. I didn't sign up for more than one, but there's definitely talks about more than one.

LYT: And did he manage to get you into D&D while you were shooting?

KS: [laughs] No.

LYT: Apparently he got Judi Dench into it on the previous one.

KS: Really, did he? Yeah, no. I know that Dungeons and Dragons exists, but I've never played it.

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LYT: I don't know how often you read the fan sites on the Internet, but there's been a real sort of groundswell of interest in the idea of you playing a Marvel superhero.

KS: Right.

LYT: Marvel actually listens to the fans sometimes. Have there been any conversations about that at all?

KS: I'm sure there have been conversations, but none that I've actually been privy to.

LYT: Damn, that's going to disappoint a lot of people.

KS: [laughs]

LYT: Do you like doing the genre stuff? Do you ever wish you were in a Merchant-Ivory costume movie, or is this really the stuff you're into, as much as we are into seeing you in it?

KS: Right, no, it's definitely the stuff I enjoy doing. I grew up watching action movies. I grew up idolizing Bruce Willis and Schwarzenegger and Stallone and Chuck Norris - these guys that were physically tough and beat the shit out of guys in movies, and loved it. And then science fiction movies - loved Predator, loved Alien, loved Forbidden Planet. I loved these movies growing up, so for me, it's very fun to take part in them, because I feel kind of like I'm bringing my childhood to life.

But at the same time, I absolutely would love to do period piece, I'd love to do romantic comedy, I'd love to do musical theater. I think that there's definitely more to do, to possibly do at some point with different types of genre work. But, you know, we'll see.


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