5) The Sweatbox
Disney’s often mocked in ways both clever and lazy, but it’s rarely done with The Mouse’s own blessing. A documentary called The Sweatbox might come the closest. When Sting was tapped to write songs for an in-progress Disney film called Kingdom of the Sun, his wife, director Trudie Styler, came along to film a behind-the-scenes special about the movie. That was 1997. In the years that followed, the film’s story was shredded, director Roger Allers quit, Sting’s songs were dumped, and a fairly dark film about prince-and-pauper switcheroos and a sun-devouring demon became the goofy road movie we know as 2002’s The Emperor’s New Groove. And Styler captured all of it in The Sweatbox, itself named after the room where in-progress Disney films are reviewed and “re-tooled” by executives.
Where it is: In Disney’s vaults.
Why It’s Unreleased: The movie was screened on two separate occasions, but there’s no wider release in sight. For a movie that lays bare the meddling and creative squabbles behind a troubled Disney production, it’s not surprising that the most we’ll likely see of Styler’s footage is the polite, trimmed-down short on The Emperor’s New Groove DVD.
4) Mardock Scramble
![]()
The anime studio called Gonzo is known among fans for making big, glossy series that seldom end well, but even their staunchest critics must admit that Gonzo knows how to sell itself to a wide audience. It’s not a studio known for smaller, less commercial products, and that makes Mardock Scramble all the more interesting.
A six-part, direct-to-video series (or Original Video Animation, if you want to get all anime-fan about it) set to mark Gonzo’s 15th anniversary, Mardock Scramble was based on an award-winning novel by writer Tow Ubukata, also known for mixing gender-swapping with pre-Revolution France in Le Chevalier D’Eon. Mardock is one of his weirder creations, a tale of revenge set in a cocoon-like city, where a dead prostitute is resurrected by the authorities so she can hunt down the man who killed her. There’s a talking mouse named Oeuf Coque, an electricity-controlling heroine in love with her own murderer, and a lot of other disturbing stuff that probably scared Gonzo away from completing the project. Amid rumors of sponsors backing out, Mardock was canceled in 2006, and its director, Yasufumi Soejima, was later seen making a music video for Dream Theater.
Where it is: Sitting idle at Gonzo, we imagine.
Why It’s Unreleased: It’s unprofitable and probably unfinished, not that being incomplete has stopped other anime productions from coming out.
3) Bio Force Ape
![]()
Other consoles surpassed the Nintendo Entertainment System in technical abilities way back in 1986, but none of them will ever have the NES’s grip on an entire nation’s nostalgia. Perhaps that’s why unreleased NES games carry a touch more mystique than other titles, and why they inspire savage arguments over whether the games should be released to the public via emulation or remain in the hands of petty, ghoulish, greasy-fingered collectors. Not that we are biased against any party.
Seta’s Bio Force Ape, originally scheduled to come out in 1991, stands above other never-seen NES games for two reasons. One, it’s a side-scrolling action title full of the bizarre things that really only worked in old-school NES games: unexplained mine cart rides, giant apples, and a genetically engineer super-chimp who uses wrestling moves to rescue his kidnapped human family. Seta was barely a B-list game company, but Bio Force Ape might’ve charmed us regardless of its quality.
The second and more important reason: Bio Force Ape inspired the most amusing prank ever pulled among hardcore game collectors. It began in 2005, when a seemingly innocent fellow posted a thread on the Digital Press forums, including photos of a prototype Bio Force Ape cartridge that he had supposedly picked up at a swap meet for three dollars. Collectors made sneakily low offers, debates raged over who deserved the game, and the screenshots of the rare Bio Force Ape in action grew stranger and strange, resulting in this masterpiece of modern 8-bit art:

And from there, it only got better. If you have a half-hour to spare, read the whole thing here.
Where it is: Prototypes of the game were released to the media in 1991, so there’s a chance that someone has a copy.
Why It’s Unreleased: If someone has it, they ain’t saying.
2) The Other Side of the Wind

As much as we like to laugh at Orson Welles’ late-career roles, there’s always a touch of respect, and perhaps sadness in them all, even when Welles is screaming about frozen peas or grumbling out the lines of a planet-eating toy in Transformers: The Movie. After all, Welles was a legend of film, the theater, and radio-made mass hysteria before he was thirty, and his drift into obscurity after the 1950s makes it a shame that we should miss out on any of his later works.
Shot in the ’70s, The Other Side of the Wind starred John Huston as a fading director in search of a comeback, and it’s hard to avoid seeing some autobiographical touches in the story. Was it, like Fellini’s 8 ½, a movie about the struggle to make a movie? Well, we have no way of knowing, since the film was unfinished upon Welles’ death, and a completed version is now held up by legal troubles. Great film or not, The Other Side of the Wind deserves to be seen, both for the legacy it evokes and the story behind it, a story that involves everything from conventional production woes to the Iranian Revolution of 1979.
Where it is: In the hands of actor/writer/producer Peter Bogdanovich, who also appeared in the film.
Why It’s Unreleased: Bogdanovich isn’t done restoring it yet.
1) The Day the Clown Cried
![]()
Perhaps the most legendary of all unreleased films, Jerry Lewis’ The Day The Clown Cried has the sort of reputation that seems impossible for anything to fulfill. According to the few who’ve seen it, though, this comedy about a concentration camp clown is every bit as fascinatingly terrible as anyone could hope.
The movie began life as a somewhat serious screenplay about a failed circus clown imprisoned by the Nazis. Shunned by his fellow inmates, he sates his ego by entertaining the imprisoned Jewish children, and, at the film’s end, he’s coerced into leading his young audience into an Auschwitz gas chamber. Envisioning it as his leap from buffoonish comedy to scathing drama, Lewis directed and starred in the movie, seeing it through to rough-cut completion despite health problems, actor walkoffs, vanishing funds, and legal threats from the production company.
The movie’s never seen the light of day beyond some private screenings, due in part to financial disputes and lawsuits. Yet the real reason for its obscurity may lie with Lewis, who owns a VHS copy of the movie’s early cut and is reportedly embarrassed by it.
Where It Is: Locked in Lewis’ office and possibly the stockroom of some Swedish film company.
Why It’s Unreleased: Some things are best left as legends.






