Giant monsters have been around long before movies. The Book of Job has an extensive discussion of the Leviathan; the Greeks told stories of the terrible Typhon, whose hundred serpentine heads scraped the stars; and dragons were a part of many culture's mythologies long before the first Tyrannosaurus skeleton was discovered and confirmed that yes, dragons did once more or less exist.
But the growth of public interest in dinosaurs happened to coincide with the rise of cinema (particularly the discovery of T. rex, around 1900), and as a result, there was a stampede of dinosaurs throughout the first few decades of film history. Many of these beasts began to increase in size, as well as increase in their distaste for humans and their major metropolitan centers.
There have been several lists here at Topless Robot that have covered the topic of giant movie monsters, but never one that tried to pick out the ones that have made the biggest impact on nerd-dom. Well, TR is nothing if not prone to hyperbole, so it's we feel comfortable saying the following list is unquestionably the definitive lineup of the ten most memorable giant movie monsters ever created.
[Note - for the purposes of this list, a "giant" monster has to be at least fifty feet tall. So while the monster from The Host is cool, it's barely bigger than an elephant.]
10) Unknown Creature from Cloverfield
Some love him. Some hate him. But there's no question that "Clover," the nickname of the beast from the J.J. Abrams film Cloverfield, is one of the most notable giant monsters of nerd-dom. Through sheer notoriety and wretched competition (including the likes of Reptilicus and the bizarre Kim Jong-il vanity flick monster Pulgasari), Clover just barely makes the list.
A cult classic among motion-sickness enthusiasts, Cloverfield did offer a fairly realistic take on what would happen if New York City were attacked by a giant monster - namely, hipster douchebags would run around filming everything until they got themselves killed.
The creature itself was a mess of gangly, multi-jointed legs, claws, teeth and inflating bladders. Abrams apparently liked this design so much he used it again for the alien in Super 8.
Still, it's cooler than Pulgasari.
9) Daimajin
Daimajin is the central monster of a trilogy of Japanese movies, all of which were released in 1966 by Daiei, the same company that produced the Gamera films.
Daimaijin is an angry spirit who inhabits a gigantic stone idol sculpted like a samurai. When alive, his mask vanishes to reveal a grotesque, monstrous face beneath. The circumstances of Daimajin coming to life differ a bit in each film, though it usually involves someone pleading for help. While he lashes out at pretty much everyone and everything in the first movie, by the third he's become something of a heroic figure battling corrupt rulers.
Daimajin had a brief movie career, but has enjoyed a larger cult reputation among fans of the genre. He even fought Godzilla once - sort of. Dark Horse's "Godzilla Color Special," considered by many to be one of the best Western Godzilla comics ever made, featured Godzilla taking on a very Daimajin-like character named Gekido-Jin.
8) The Sandworms from Dune
"Gods! What a monster!"
That's what a young(ish) Patrick Stewart exclaims after watching a sandworm swallow a giant spice harvester in David Lynch's Dune. It's definitely one of those love-it-or-hate-it films (though how can you hate any movie that dares to give us Sting in silver underwear? ...wait, don't answer that). But one thing most geeks can agree on is that the sandworms were awesome.
Adapted from Frank Herbert's classic science fiction novel, the story of Dune takes place on the desert planet Arrakis. The colossal sandworms that bore through its sands have mouths rimmed with thousands of teeth (like the Sarlacc before the special edition gave it a beak). Estimates of their size vary, but it's not unusual for them to reach lengths of 300-400 meters - much, much larger than any of the other monsters on this list. (And far larger than their Tremors counterparts, the Graboids.)
The fact is, most of the monsters on this list would be hard-pressed to win a fight with these gigantic, nearly indestructible creatures.
7) The Kraken
No, not the one from the remake of Clash of the Titans - that sucked. No, not the one from Pirates of the Caribbean: Dead Men's Chest - that sucked. No, not the sonnet by Alfred Tennyson - that wasn't bad, but it wasn't a movie monster either.
No, we're talking about the real Kraken, the one animated by Nerd God Pantheon member Ray Harryhausen in the 1980 Clash of the Titans featuring the handsomely hammy Harry Hamlin as Perseus, an awesome clockwork owl, and Laurence fucking Olivier. (And a totally creepy Medusa, too.)
In designing the Kraken, Harryhausen borrows heavily from Ymir, the monster from his earlier film 20 Million Miles to Earth. But the Kraken has been better remembered in pop culture for its multi-armed design and its role in the film, threatening to kill the beautiful Andromeda and ultimately being destroyed by the gaze of the decapitated Medusa. The sequence of the Kraken crumbling into dust is one of the most memorable of Harryhausen's career.
6) The Stay-Puft Marshmallow Man
The Stay-Puft Marshmallow Man is easily one of the most beloved giant monsters in all of Nerd-dom. Now that he's been enshrined in pop culture through cartoons, toys, and other various merchandise, it's easy to forget how much of an amazing, hilarious payoff his appearance was in Ghostbusters. He's at once ridiculous and terrifying. His later disintegration as the Ghostbusters destroy Gozer is just as creepy, his face vanishing in apocalyptic flames as his doughy flesh turns to goo - goo that falls onto Walter "Dickless" Peck.
5) The Rhedosaurus
A reptilian prehistoric monster is awakened by atomic bomb testing and wreaks havoc on a famous city. Sound familiar?
The city is New York, and the monster is the Rhedosaurus.
Also created by the aforementioned Ray Harryhausen, the Rhedosaurus is the star of The Beast from 20,000 Fathoms (1953), one of the earliest examples of the "monster-on-the-loose" films that ran rampant through the 1950s. It was at least partly inspired by the 1952 re-release of King Kong (which was so successful Time named it the movie of the year). It was also a direct inspiration, along with King Kong, for 1954's Gojira.
One well-known bit of nerd trivia is that The Beast from 20,000 Fathoms took its title from a story by the late Ray Bradbury. In the story, a lonely sea monster - perhaps the last of its species to survive to current times - humps destroys a lighthouse after mistaking its call for another of its species. The producers bought the rights to the story (though their film was already in production) and used the title, while Bradbury changed the story's title to "The Fog Horn." The film added the story's scene where the monster destroys a lighthouse.
One of the most insidious things about the creature was that it bled virulent prehistoric germs, forcing the military to come up with a plan to kill it that doesn't involve making it explode - not something B-movie military forces are very good at.
4) Mothra
While many Western fans think of Mothra as just another monster in the Godzilla stable, Mothra started out with her own film in 1961, which is still fondly remembered as a high point in the "kaiju eiga" (monster movie) genre in Japan. (The film was based on a novel titled The Luminous Fairies and Mothra.) So popular was the first film that when she got top billing in Mothra vs. Godzilla three years later. Mothra made appearances in three more films during the "Showa" era of Godzilla movies (1954-1975) and also appeared in Godzilla vs. Mothra in 1992, as well as her own trilogy in the late 1990s.
Mothra is significant among giant monsters because she is lacks many of the typical characteristics of the genre - she has no claws or breath weapons, she tends to behave herself around humans (destroying only when provoked, or trying to protect her young), and often perceived as being a protector and, at times, a god.
Though often a target of fun among fans ("it's just a giant moth!"), Mothra is a much more uniquely Japanese creation than Godzilla or Gamera, and is the most popular kaiju among women in Japan.
3) Gamera
Every so often, a gifted artist takes a crappy existing concept and makes it amazing.
Gamera was initially created by the Japanese film company Daie as an obvious rip-off of Toho's then-successful Godzilla series. Godzilla was a giant, prehistoric dinosaur who could spout atomic rays; Gamera was a giant, prehistoric turtle who could spout flame. After his first film, however, Gamera quickly became a good guy and a "friend to children," prefiguring Godzilla's own eventual face turn in the 1970s.
The 1960s Gamera films are memorable for their insipid pandering to children, their terrible production values, and their bizarre emphasis on gore - Gamera is wounded and bleeds constantly in these movies, while Gamera vs. Guiron features a knife-headed monster completely dismembering another beast, up to and including decapitation.
Mystery Science Theater 3000 famously set a torch to the Gamera films in the early '90s. With his reputation in tatters and absolutely nothing to lose, Gamera made a surprising comeback in 1995 under the aegis of director Shusuke Kaneko, whose Gamera: Guardian of the Universe became a sleeper hit in Japan and even got a small theatrical release in the U.S. The success of the film stood in stark contrast to 1995's Godzilla vs. Destoroyah. Guardian of the Universe received two sequels, Gamera: Attack of Legion and Gamera: Awakening of Irys, each film even better than the last.
While Gamera remained a good guy in the new movies, Kaneko reworks his origin to make it a bit less ridiculous (if just as implausible) and weaves some interesting ecological and spiritual themes throughout the series, all the while being sure to offer inventive, appealing special effects. While perhaps not the most famous giant monster of all time, Gamera can arguably lay claim to the best modern series of giant monster films.
2) King Kong
The first and, to many, the best giant monster of all time. King Kong shocked and amazed audiences upon its release in 1933. Willis O'Brien's pioneering stop-motion effects brought Kong to vivid life and influenced a generation of special effects artists, from Ray Harryhausen to Japan's Eiji Tsuburaya.
Kong's career since 1933 has been very spotty. There was an immediate sequel the same year called The Son of Kong, but it's barely remembered today. Japan got its hands on him thirty years later, pitting him against their own monster in 1962's King Kong vs. Godzilla, then bringing him back for King Kong Escapes in 1967 (which, oddly enough, was a tie-in production with an American cartoon of the time, The King Kong Show). Then in the mid-'70s Kong got a remake starring Jeff Bridges and a King Kong portrayed by a man in a rather disappointing gorilla suit. The film did well, though it's now overshadowed by both the original and the well-received but really, really long 2005 Peter Jackson-directed remake. There was also a very, very bad 1986 sequel to the '70s film called King Kong Lives starring Linda Hamilton.
Nonetheless, King Kong is the giant monster that started it all, and deserves his place as one of the greatest giant movie monsters of them all, second only to...
1) Godzilla
Though originally just a particularly well-made rip-off of King Kong and The Beast from 20,000 Fathoms, Gojira (known in the U.S. as Godzilla: King of the Monsters in a heavily-altered version of the film) soon grew into a cinematic juggernaut, spawning an entire genre of films in Japan and a menagerie of other huge beasts. While King Kong may have come first, he doesn't have thirty films. His name isn't frequently used in pop culture as a generic sufffix meaning "big" or "ferocious" (Bridekong just doesn't have the same ring, does it?). And there isn't a totally kickass Blue Öyster Cult song about King Kong.
And while Kong's films may generally be more critically acclaimed, the reputation of the original Gojira has been on the rise for several years now, as critics have really started to examine the issues of Japanese-U.S. relations and the fallout (literal and figurative) of the U.S. nuclear bombings of Japan. And just this past year, Gojira received a gorgeous Criterion Blu-ray release.
An international cultural icon, Godzilla won the 1996 MTV Lifetime Achievement Award (presented by Patrick - holy shit, really? - Stewart) and has a star on the Hollywood Walk of Fame (the American Kong doesn't - ouch). And the future looks bright - a trailer for the upcoming 2014 American remake by Monsters director Gareth Edwards got fans excited at San Diego Comic Con this past summer, and appears to be far more faithful to the creature's origins than the best-forgotten 1998 travesty.
Someone's probably already mentioned this, but isn't there a LOT more similarities between "Beast From 20,000 Fathoms" and "Cloverfield" than between it and "Godzilla?" I dunno, the similaries between the rhedosaurus' blood parasites and "Clover's" ticks kinda cinched it for me.
And yes, while Kong was first and possibly greatest, there is only ONE King of the Monsters.
I don't remember the term used, it was not "yokai," but that's the closest I could think of.
Daimaijin (and some of the characters) are personifications of things that were so loved by people they gained sentience and bodies.Daimajin was a temple bell (and he's redesigend to show that), once character was a samurai's helmut, so on and so forth.
For those folks that are fans of Daimajin, there is a fairly recent mini-series, Daimajin Kannon, that's not too bad. Daimajin is a sort of big honcho yokai, that put himself into sleep and refuses to speak to people anymore because he busted his ass fighting threats to the villagers, but he didn't do it fast enough or well enough for them, so they kept treating him like crap.
The only drawbacks are... the DVDs that are available now have the first few episodes with amazingly translated subtitles, then they apparently changed translation companies and a lot of meaning and info is lost.
I'd just like to point out that Godzilla, Mothra, and Rodan all had solo movies that culminated in an epic crossover film where the protagonist monsters of each previous movie met, fought, overcame their differences, and then teamed up to stop an invasion from space. Face it, Marvel's Avengers movie is a remake of Ghidorah: Three Headed Monster.
No mention of the American Godzilla cartoon from the 80's? When I was a kid, that thing was THE SHIT.
I'd hate to watch it now and have all of my fond childhood memories destroyed, though. Even as a kid, I remember thinking "How is it that Godzilla rises up out of the ocean when called, but then suddenly the water is ankle-deep on him?"
About King Kong's 1976 remake, that wasn't just a man in a disappointing gorilla suit. That was Rick effing Baker in a disappointing gorilla suit. Yep, the very same. Not one of his favorite experiences, from what I hear.
@TorH In fact, that's why the impotent gorilla Mr. Baker made/played in Kentucky Fried movie was named Dino, because of how pissed he was at Mr. DeLaurentis.
Cloverfield: No. I take issue with monster movies that don't give you a single good look at the monster. And the conceit of the "found footage" garbage that was officially old the first time a Hollywood movie producer watched The Blair Witch Project and said, "Shit, WE can do that!" Abrams expected us to believe it NEVER occurred to the douche operating the camera to actually POINT IT AT THE MONSTER.
Daimaijin. I've seen these movies. NO WAY is that thing 50 feet tall. Thirty feet, tops.
Dune: "though how can you hate any movie that dares to give us Sting in silver underwear?" Jesus! Do I really need to explain this to you?
Mothra aka Mosura is not just a moth. She is a mystical godling and defender of earth. She also does have a weapon besides high winds from her wings , in the form of a radioactive sleep dust she can shake from said wings.Her larvae version can also shoot webs. Honestly I'd have rather seen the original King Ghidorah aka Monster Zero aka The Space Monster in her place. Really Clover beat out The Amazing Colossal man, The giant Claw, Gorgo, Konga, and Green & Brown (Gaira and Sanda) Gargantuas from Furankenshutain no Kaijū: Sanda tai Gaira aka War of the Gargantuas as being in the top 10 nerdy monsters... for shame.
Some really great stuff on this list but in agreement with Kumanoken about some of the glaring omissions. I would have to drop the Kraken, the Sand Worms and probably even the Cloverfield monster from the list and replace them with King Ghidorah, Mechagodzilla and maybe add in the giant stone statue from Jason and the Argonauts for good measure. I realize by two of those additions this leans more to the Godzilla franchise so can understand why they might have been left out. Anyways, a solid read. Thank you for posting this.
@piercingmetal The bronze statue (whose name I sadly forget) was definitely much better than the Kraken.
While personally I would have included MechaG and Ghidora, I do understand the need to keep the Toho Kaiju down to a manageable level; and they aren't as influential as some of the others on the list. Definitely would have replaced the worm and Slusho/Clover with them, though.
I always prefered Rodan but I have no arguments with the top 3 being as they are, and I actually like a few of the 60s Gamera films, Gamera vs. Gayos is good, and Guiron is just so dang weird
first thought when i saw the topic is how would be the top two between king kong and Godzilla and Godzilla once again by being number one proved he is the tops of sci fi monsters. monthra found interesting even as a giant moth and also one could not really leave off mr. stay puff for he is iconic as godzilla
No Infinite Vulcan? FAIL! No, I'm just kidding, this was a fine list.
I liked the critter from Destro's basement that the Double C sicced on Serpentor. That was a pretty damned awesome move on Cobra Commander's part. Too bad it didn't work in the end.
Lifelong giant monster addict here, so I had to weigh in on this one. Very debatable choices, also some glaring omissions, coupled with extremely poor choices for example footage in most cases. No 1933 King Kong footage (arguably the best giant monster film ever made), a trailer for one of those shitty '90's Mothra films when the obvious go-to was the 1961 original (also an outstanding genre entry), no trace of King Ghidorah (the most glaring omission), and no trace of footage of Godzilla from his first film, in which he was truly horrifying. The sandworms, while visually impressive, are basically just big worms, and that's about it. (It's uniqueness and levels of interest that truly make a great giant monster, not just scale.) And the Kraken? Really?!!? Considering how many other Harryhausen giant monsters leave that one in the dust — the Ymir on the loose in Rome being a perfect example — it's a very questionable choice. (While she was not a giant, the best thing about the 1981 Clash of the Titans was Medusa, who was hands down the scariest thing Harryhausen ever came up with.) And as for Clover, the most notable thing about that one was the movie it appeared in, which featured an excellent POV depiction — incredibly annoying hipster assholes not withstanding — of NYC getting trashed by a gigantic, unexplained whatchamawhosits. The monster itself looked ridiculous and offered nothing interesting or unique with which to distinguish itself. BOOOOOOOOOOOOOOO!!!
That said, Mr. Stay Puft and Daimajin (especially as he was depicted in the first film) are inspired choices. And you're absolutely right about the reveal on Mr. Stay Puft, especially as seen when the movie first came out. I worked at one of my hometown's movie theaters back then and our manager, on the night before the movie was set to open, told the staff he'd Ghostbusters looked to be a huge hit, so he was going to run it for the staff that night after work since it was likely to be packed for weeks once it opened. When we finally saw the form that Gozer took upon arrival in Manhattan, especially while sitting through the film with absolutely no prior clue as to its contents, we nearly shat ourselves laughing. And the look on its face when it first finds itself on the receiving end of a proton pack blast was brilliant.
As a teenager, my father and I went to a Star Trek convention in which Sir Patrick Stewart was going to be at. During his panel, I happened to be lucky enough to get chosen by him to ask a question. Being the smart ass that I am, I asked him what his experience filming Dune was like. He started laughing immediately, shook his head, and said in his best Gurney voice: "Gods what a monster!"
I am a huge fan of the 90's Gamera Movies. The monsters look great, the effects are fairly solid. And for giant monster movies, the acting by the cast is actually pretty good. I actually just rewatched Guardian, and Legion over the weekend.
@abnerayag This may be a matter of what people have been accustomed to while growing up but CGI < Claymation
CGI always looks jarringly unrealistic, as if it was cut/pasted from somebodies laptop without respect to the environment it is supposed to be in, where at least you can light Claymation properly, with real lights as opposed to simply rendering parts of it in darker or lighter shades, to make it look part of the scene. It may look like clay but it looks like clay that is somewhere in relation to the setting and actors.
Heck, I'll go ahead and say man-in-rubber-monster-suit > CGI.
I disagree with physical >CGI for one main reason: scaling. My subconscious can forgive a lot of mistakes, but I always snap out of the movie-watching experience when scaling issues are apparent. Models just look like models to me. A guy in a suit always looks like just that. And when water gets involved it gets even worse. You just can't recreate water without CGI, period.
And that old Kraken just doesn't look scary to me at all, even when I was a kid. I think it's the face, which is a bit too ape-ish. And the skinny limbs. And the fact that it's no more than 30 feet tall and a good boulder upside the head could take it out.
@bjshipley1@Gallen_Dugall@abnerayag I don't have a problem with the effects of the new kraken, it's just the look is very uninspired, like a bodybuilder crossed with a spider and a squid. Looks like something Todd McFarlane would come up with. But, yes, stop motion's time has come and gone, the problem with it is it's harder to articulate than CG and will just never be as convincing. Having this framey-looking object sticks out like a sore thumb in the middle of everything.
While I think stop motion has had it's day, I do prefer some effects to be practical though, like car crashes and bloody gun shot wounds. I haven't seen any CG bullet damage to people that didn't look floaty or out of place yet.
@Gallen_Dugall@abnerayag I will respectfully disagree, and I'm probably around the same age as you.
I appreciate the work that goes into claymation, stop motion, and all of the mechanical kinds of special effects. Always have. And I have always loved the effects.
That said, it too is jarringly unrealistic, but in different ways. I was always conscious that I was watching an effect. It may be lit properly, but you can still tell it doesn't quite belong there, whether it's the motion, the scale, or the frames per second.
There is a tremendous amount of shitty CGI and there's also a lot of lazy and awkward filmmaking in order to support it. I won't try to defend any of that. It speaks for itself. But there's also a lot of good CGI in that it's there and you don't even know it. These tend to be the things that don't draw attention to themselves and are not the type of "Look how much money we blew on this effect" kind of scene.
My gold standard is "If I can't tell how its done without being told, it's good, whatever it is." I don't care if its miniatures or a Mac.
I think I've spent too much time around computers in general. I almost always pick out the cgi in situations where everyone I'm watching it with thinks it's real. often to the point of having to google it to find out the the truth. Because of that I think claymation/models/etc look a bit more real to me.
Not sure I've ever heard he Cloverfield monster referred to as simply "Clover". Is that a thing? As with Frankenstein, I've only heard it called the "Cloverfield Monster" or simply "Cloverfield."
Godzilla's greatest foe King Ghidorah should have made the list and not at the number 10 spot either. The three headed golden space kaiju was probably one of the most difficult to bring to life on screen.
@Gallen_Dugall@thedayyoualmostcaugh Well, giant Buddha statues are crazy huge and scary. This one at 682 ft tall could eat the Statue of Liberty... whole.
Am I the only one completely annoyed by the 2005 King Kong? Kong repeatedly dropping the girl, then snatching her out of the air would almost certainly snap her neck. I can suspend disbelief for the giant ape and the tyrannosaurs, but I just can't wrap my brain around the girl being thrown around like a rag doll and not being lifeless at the end of the battle.
@James.k.Polk I firmly believe that in an island with living gawddamned dinosaurs, the one thing they bring back is the giant ape that murdered half their crew.
That and Jack Black totally didn't ruin every scene was in...I swear.
That, and the Tyrannosaurs were a little TOO persistent. Predators don't spend all day (and risk their lives in battle with Kong) for one tiny morsel of meat. There's easier prey out there. There has to be, because if they went every day like that they would have died long before reaching adulthood. No animal survives long being that stupid when hunting.
@James.k.Polk "Am I the only one completely annoyed by the 2005 King Kong?"
No. You are not alone. Hollywood has ALWAYS played fast and loose with science, and I can suspend disbelief as well as the next guy, but that movie was Peter Jackson taking a 2 hour and 40 minute dump on the laws of physics and everything we know about animal behavior.
Hey, Hollywood, when predators corner their prey, they DO NOT - I repeat: DO NOT - just stand there and roar at them (or hiss, or sniff, or breathe death-breath in their faces). The alien from ALIEN does NOT represent a typical predator.
@James.k.Polk The 2006 King Kong was an overlong abortion that turned Kong into what amounts to a large domesticated pet for Anne. In other words, a pussy. And if the author of this article wanted footage to illustrate Kong's complete and utter awesomeness, he should have used just about any scene from the 1933 version, especially Kong's fight with that T-Rex or Allosaurus or whatever it was.