Becoming a published manga artist or anime director is, in the Otaku circles, akin to royalty. And if you're lucky, you can parlay your Otaku cred to big-time fame and success. Rumiko Takahashi (Inuyasha, Ranma 1/2), for example, still remains one of the richest and most successful manga authors - nay, comic book artists - in the world. But, as with all things, there's a catch.
Perhaps you're familiar with the stereotype of the Japanese Work Ethic? You know, the one where individuals are expected to work over 12-hour days, sleep at their office, and slavishly devote themselves to workaholism?
That's all just a misbegotten stereotype, of course, but there is a certain problem in the manga and anime industry, especially if you're lucky enough to work for one of the major weekly manga magazines like Shonen Jump. In those instances, you (and however many assistants you can afford) are tasked with creating up to 20 pages each and every week that need to be fully written, drawn, inked and edited. And that's once a week, every week, full stop, no breaks, no holidays, nothin'.
Suffice to say that the pressure is on, and sometimes, people... crack. In fact, in the Shonen Jump "making-of-manga manga" Bakuman, there's an entire storyline that tackles what happens when deadlines mount and the artists simply overwork themselves. Here are ten manga and anime artists who nearly worked themselves into an early grave!
Of course, a good way to alleviate some of the stress that comes from working on several high-profile, serialized manga titles is to share the load a little bit, and that's always been a part of the once highly-secretive female comic artist collective known as CLAMP, creators of such finely stylized pop-culture weirdness as X, Cardcaptor Sakura, and Chobits..
CLAMP started out in the '80s as a fan-based independent "doujinshi" group (self-published comics, in other words) that contained a whopping 11 members; since 1993, the CLAMP brand has dropped down to four. No worries, though, because at least four members is better than just one, right?
Sure! Until 2011, when one of their members is experiencing sharp and immense pain in her lower back. Turns out, she has a rather severe lumbar compression fracture,, all thanks to the many hours hunched over a chair, straining her lower back, drawing like a madwoman.
CLAMP then issued a statement that they were letting the poor girl go for a half a year in order to recuperate, and the remaining members were going to be taking things a little bit easier, which meant some delays, and a few less pages per chapter, so that the other CLAMP artists also didn't end up working so hard and long that their bones cracked apart.
9) Katsura Hoshino
A lot of the time, the manga industry is especially harsh on new talents; eager for another hit, the endless manga mill is eager to devour as much content as physically possible, and young, eager artists are all too content to toss themselves into the fray, initially unaware of the daunting task that lays in front of them.
Witness, then, Katsura Hoshino, who scored a big hit in Shonen Jump in 2004 with D.Gray-man, a lushly illustrated supernatural action series filled with big battles and wacky pseudoscience. Shonen Jump means you've hit the big time, and indeed, D.Gray-man has been published all over the world, spawned video and card games, an animated series and reams of merchandise.
The cost? Hoshino has had to take no fewer than four times off, including once when she contracted the nonovirus, an unspecified neck injury, and lots of swirling rumors about anemia, shattered wrists and other such frailties.
Despite this, D.Gray-man is still running to this day, though thankfully, perhaps in consideration to Hoshino's ailing health, the series made the switch from weekly serialization to monthly in 2009. Here's to your continued success and ability to work and not die, Katsura Hoshino!
8) Shoko Conami
Sometimes, though, even monthly deadlines can prove to be near-fatal exercises. Witness the plight of Shoko Conami, a female manga artist responsible for Shinobi Life - released by Tokyopop when they still released things - and currently writing and drawing Shikabane Cherry for the manga magazine Monthly Princess.
Late last year, Conami got a one-two-three punch of terrible, life-altering news: initially hospitalized for "extreme anemia," Conami then suffered a god damn heart attack a few days later. A month later, still in the hospital, Conami underwent surgery for endometrial cancer.
Just in case you're ever feeling a little bit down on yourself or cursing your rotten luck, just remind yourself; at least you haven't suffered a heart attack that led straight into cancer surgery. That's one hell of a month. On the upside, Shikabane Cherry resumed publication last February, and Conami has, all reports indicate, been a picture of health.
"Hey, Brian!" You yell from your computer screens. "This list CLEARLY states 'Manga and Anime artists,' but all you're writing about so far is MANGA ARTISTS!" I was just getting there, you impatient turd!
The animation industry is also completely dependent on heavy, soul-crushing deadlines, and there's certainly been no shortage of people collapsing on their desks from working 48-hours straight and so forth; let's look at famed anime director Shinichi Watanabe, more fondly known by his pen-name and animated alter-ego, Nabeshin.
Most westerners are probably familiar with Nabeshin's completely wacko bonkers anime adaptation of Excel Saga, an anarchic ensemble of insane gags and in-jokes that, coincidentally, features a side character who violently suffers from anemia, and is frequently seen covered in her own blood. Nabeshin basically lives his own life like an anime character, frequently seen in public sporting his red Lupin III jacket and giant afro. In other words, the guy is cool.
Cool or not, a year ago, Nabeshin suffered from a heart attack. True to his spirit, though, Nabeshin was back on his feet and traveling the globe after a mere two months in order to attend Anime Boston as a Guest of Honor. Once more, this guy is cool.
6) Satoshi Kon
Glibness aside, sometimes, people aren't so lucky when it comes to health issues. Not to turn things into a huge bummer here, but considering the topic, I'd be remiss if I didn't mention the sad affair that was the all-too-soon demise of one of the film community's brightest directors, Satoshi Kon.
If you haven't yet seen any of Kon's films, well, stop reading this right now and plan a weekend to catch up on Perfect Blue, Millennium Actress, Paranoia Agent, Tokyo Godfathers, and Paprika. Then come back to this so you can feel as sad and distraught as the rest of us.
While prepping his followup to Paprika at animation studio MADHOUSE, the 46-year old auteur got some terrible news: pancreatic cancer had metastasized in his bones, and he had half a year to live, at most. According to this heart-rending translation of Kon's last words, rather than rage against the dying of the light, the man proudly and confidently went about his final wishes and put most of his personal affairs in order. He died three years ago, last August.
Though Kon left a litany of classic films and TV series to his credit, the true shame is that the film he was constructing - tentatively called Dreaming Machine - has been left floundering. MADHOUSE president Masao Maruyama is "working hard" to get the film finished and released within five years of his passing,, but finding the necessary funding to finish a genius animator's final film continues to elude them. Isn't this why stuff like Kickstarter was created? Anyway...
Now that we've got the Big Bummer out of the way, read on for (slightly) happier tales of ill health!