8 Cool Things That Could Result From the Marvel/Fox X-Men TV Shows
Twentieth Century Fox and Marvel Studios stunned pretty much everyone when they announced this week they were teaming up to create two new television series set within the Fox X-Men film universe for both the Fox Network as well as FX. What was more shocking were the premises of both series. While fans had been guessing things like X-Factor Investigations or Academy X for an eventual X-Men TV show, instead they’re developing series centered around Charles Xavier’s son David Haller, also known as the all-powerful Legion, a mutant with as many powers as he has personalities; and Hellfire, a show centered around the Hellfire Club, the longtime enemies of the X-Men who already appeared in X-Men: First Class.
So what could these two concepts mean for the overall X-Men cinematic universe? The ripple effect could be great, not just in terms of the overall story of the films and television shows, but even behind the scenes as well, in terms of Marvel and Fox teaming up to create shows centered around Marvel properties. Here are eight possible ways that these two shows could change the X-Men and Marvel,cinematic universes:
1. Legion Could Be The Key to a Potential Age of Apocalypse Movie
By establishing Legion as part of the Fox X-Men live-action universe, you are automatically opening the story up to a possible film adaptation of one of the most beloved X-Men sagas this side of Dark Phoenix. I’m talking about the 1995 epic Age of Apocalypse. Before you say “wait, aren’t they already doing Age of Apocalypse next year as a movie?” Well no, not exactly. X-Men: Apocalypse will tell of the X-Men’s first encounter with the titular mutant demigod. Age of Apocalypse is a whole other beast of a story, and the character of Legion is crucial to that particular saga.
In the original comic, Legion, a.k.a. David Haller, uses his vast psionic powers to travel back in time and kill Magneto, the X-Men’s biggest threat. Unfortunately, he travels to a time when Xavier and Magneto were still friends, and Xavier dies saving Magneto’s life. This makes Magneto take up Charles’ ideology, and form the X-Men himself, who end up fighting Apocalypse, who, with Xavier out of the way, has taken over most of the world in a new, alternate future. It’s the flip side of the future seen in Days of Future Past, where tyrannical humans enslaved mutants; now it’s the other way around. And the character of Legion is key to all of it.
2. A Hellfire Series Gives You A Chance to Fix Emma Frost
The press release for the new show Hellfire says the series will be firmly placed with X-Men film continuity, which includes X-Men: First Class, where the Hellfire Club already appeared, as controlled by Sebastian Shaw. The synopsis for the series says a young woman attempts to take the reins of the secret society during the 1960s. Although not named, when you hear the words “young woman” and “Hellfire Club”, you automatically assume we’re talking about Emma Frost here.
X-Men: Days of Future Past did mention that Emma was one of the dead mutants experimented on by Trask, but we never saw a body, and it’s possible she faked her death to get away from being under Magneto’s thumb, and returned to the remnants of the Hellfire Club and attempted to take control. Emma is one of the great X-Men characters who wasn’t done justice in the otherwise great X-Men: First Class. Just recast January Jones, a total void of charisma if ever there was one, with a better actress, and there you go.
3. You Can Use Hellfire to Introduce the Hellions
One of the cooler aspects of the Hellfire Club mythos in the classic Chris Claremont Uncanny X-Men and New Mutants comics from back in the day was the concept of the Massachusetts Academy, home to the Hellions. The Academy was a prep school for mutants run by the Hellfire Club, but unlike Xavier’s School, mutant and human co-existence wasn’t their #1 priority.
The elite students, nicknamed the Hellions, were the “mean girls” (and “mean boys,” I suppose) of mutantdom. Kind of the spoiled rich kids sorority/fraternity types, but with powers. We know in X-Men movie continuity that during the sixties, Professor X was struggling to keep his mutant school together (as per the info dump in Days of Future Past) It would be interesting to explore if the Hellions were flourishing while Xavier’s school was floundering.
4. Cross-Pollination With the X-Men Films
Unlike the Marvel Studios series like Agents of SHIELD and Daredevil, which so far only mention the events of the MCU movies but never have any guest appearances from any of the main cast (cameos from Samuel L. Jackson and Colbie Smulders aside) Fox has the chance to one-up Marvel by truly cross-pollinating the movie and TV versions of their live-action mutant verse, at least on occasion.
Okay, so maybe Hugh Jackman is too big a star for this, but I could easily see James McAvoy making an appearance in a flashback on Legion, to a time before his son was born, for example; or maybe even have Patrick Stewart having an episode dealing with the older, grown up version of his son. (or both!) With the exceptions of Jackman, Jennifer Lawrence and Michael Fassbender, none of the X-Men cast are anywhere near too famous or pricey to make guest appearances on television shows, and fans would eat it up, as it would really make the live-action universe truly seem bigger.
8 Reasons Captain America: The Winter Soldier Is the Worst Marvel Movie
For many years now, the Avengers series of feature films – referred to by most fans and online pundits as the Marvel Cinematic Universe – has become to de facto pinnacle of pop fandom. There may be many debates online, but it is generally accepted that the MCU movies are peerless and enduring entertainments that are beyond criticism or reproach. In short, there is a contingent of people in the world who find these movies to be the best movies of all time.
As someone who has been vaguely dissatisfied with the bulk of the series since the beginning (I’m a fan of Iron Man and Iron Man 3, and I have no problems with Guardians of the Galaxy, but that’s about where it ends), I find a lot of angry push-back whenever I try to elicit even vaguely skeptical ideas about the series. When I announce that I am ambivalent to The Avengers, or that I outwardly hate Thor or Avengers: Age of Ultron, I become pilloried and ostracized by the fan community who inform me that I am simply wrong, wrong, wrong. To be fair, I can bring it upon myself; I don’t have to mention that I hated some of these in polite company.
Perhaps my least popular opinion, though, is that I really can’t stand Captain America: The Winter Soldier. When it was released, I thought it was fine enough – at least it wasn’t boring – but there was something tugging at my sleeve about the flick that I couldn’t put my finger on. Even at the time, I was bugged by the movie. Few shared my nagging sense of unease; looking around at other reviews, you would have thought Jesus returned. People loved The Winter Soldier more than life itself, and even Marvel Studios came to accept that this film would be the new spiritual center of the series: They hired the film’s directors to take over the massive Marvel crossover movies after Joss Whedon unceremoniously bowed out.
After a year’s thought, I finally figured out why this film wasn’t sitting well with me. Indeed, the more I think about it, the worse it becomes. I have finally come up with eight reasons why The Winter Soldier is actually the worst film in this series. Read on in outrage, dear readers. And please, I implore you, be gentle to me at the end of it. I need to get this off my chest.
1. Captain America Is Still a Boring Character
I tried. I really tried. I’ve tried to see Captain “America” Steve Rogers as an interesting guy. I’ve tried to see him in the context of changing patriotic attitudes. I’ve tried to see him as a boldly virtuous symbol of America, despite – and not because of – its politics. I’ve tried to see him as a cool badass with fun superpowers… but I just can’t. Captain America is, at the end of the day, a dull character lacking in complexity or texture.
Many have criticized Superman for being too blandly virtuous to be interesting; If he is indestructible, then there is nothing at stake, and if there is nothing at stake, why read about his peril? Superman’s virtue is what makes him interesting. Captain America, though, at least cinematically, stands for the most boring type of blind ’40s patriotism that young people think the country had during WWII… and nothing else. He has no interests, no passions, no love for anything beyond a vague sense of duty.
The most interesting part about Captain America is his displacement in time. He is out of his element in the present day, having been frozen for decades. But this drama has been relegated to the sidelines in his movies. The Winter Soldier taps into this in the film’s first few scenes… and then frustratingly abandons it in favor of the plot. Leaving Cap high and dry in the character department once again.
Poor Cap. Someday, he will be unlocked.
2. The Title Villain Is Forgettable
The titular Winter Soldier – who was, in actuality, a presumed-dead compatriot of Cap from the old days – loomed large in action scenes. He has metal arms, and was just as strong as Captain America, catching his shield in one scene. Also, since he was an old friend, Cap refuses to fight him (after fighting him for ten minutes, but whatever). This means most of the film’s personal drama stems from the fact that Cap is fighting an old friend who has been brainwashed.
But when I think about this movie, the title villain is actually one of the last things that comes to mind. In terms of plot, he serves a purpose, but functionally, the Winter Soldier is little more than a thug. He could be, or look, like anyone or anything. The only point is that he’s as strong as the hero. He has no pertinent lines, no depth, no texture; he’s as boring as Captain America.
What’s more, the revelation that the Winter Soldier is actually Bucky has no impact, because Bucky didn’t stand out in Captain America: The First Avenger. He was just part of the blur of soldiers behind Captain America. In the old comic books, Bucky was important. In the movies, he’s a mannequin.
I suppose the fights were neat to look at, but an adrenaline rush is a poor excuse for a dramatic fight. On paper, I see why they were fighting… but I didn’t feel it. I saw the constructed excuse, but not the drama. I just saw fights, and action can be boring if its done for its own sake.
Next time, just leave Bucky out of it. The story would have been fine.
3. Scarlett Johansson Is Still Miscast
This was actually the third time Scarlett Johansson played Black Widow in this series, but she hasn’t really managed to emerge in any sort of significant way for me. On the page, I can see what Black Widow is supposed to be. She’s a tough, sexy spy with a flip attitude, a sense of humor, and an amusingly aloof and causal attitude about her job. You can hear in dialogue how funny and deadpan she’s supposed to be.
Johansson can be funny and deadpan – I’ve seen her do it – but for some reason, she’s just not firing on all cylinders with this role. I think she’s being poorly directed, not being encouraged to make The Black Widow emerge as someone with presence. She fades into the background. She is flaccid and inscrutable, serving only as something that is nice to look at.
There is a mild scandal in place that Black Widow doesn’t have enough toys in the market, robbing any young girl Avengers fans of the privilege of being marketed to. Perhaps there are no Black Widow toys because Black Widow doesn’t have any panache in these movies. She’s not strong. Like Cap himself, and the Winter Soldier, she’s just kinda boring.
4. It Takes Back its Stakes
Remember that scene near the end of the first act of The Winter Soldier, where Nick Fury (Samuel L. Jackson) was being chased by bad guys? And they shot at him and planted a bomb under his car? And he was panicked, but managed to evade capture for a long time? And how exciting it was? And then he got blown up and died? And you were shocked and interested for the first time in this boring movie? And you thought that Marvel studios finally had some balls, and that they would kill off a notable supporting playing in their film series?
And remember how, at the beginning of the third act, it was revealed that Nick Fury was still alive somehow? And that he was able to fake his death with relative ease? And he wasn’t really afraid or changed or in visible hiding? He was just sort of standing there, delivering lines as if nothing had happened? And all the other characters reacted with the minimal amount of shock, and just sort of accepted it?
And remember how disappointed you were that Marvel didn’t actually have any balls, and they wouldn’t dare actually kill off a major character? And revealed that death is meaningless in this universe, because no one dies? Not even the Winter Soldier himself?
Remember all that?
The Robot’s Toys: Gotham Select Action Figures Series 1 – Selina, Gordon, Penguin
I imagine Gotham is a bit head-splodey for the merchandising folks at DC. On the one hand, it’s a Batman-thing, and they know – or think they know – that every Batman property can be wrung dry until George Clooney shows up. On the other, it’s a Batman property without an actual Batman in it, featuring major characters in fairly nondescript clothes.
The solution, as McFarlane Toys figured out when they did The X-Files movie, is to recreate specific scenes using diorama bases, making the figure just part of the equation. As such, it makes sense for DC to turn to juts about the only toy company that still does that on a regular basis – even if said company is known primarily for doing business with Marvel.
For the most part, you have to be a fan of the show to want to get these figures, unless you’re looking for normal humans to take place in larger displays. I say “for the most part” because there is a pretty big asterisk coming up. You’ll see.
The figures come in the standard Diamond Select packaging, that’s uniform across the board on all their lines, which is nice for collectors with shelves. Toys R Us also has versions of the figures without the diorama bits, and an exclusive bloody Penguin was sold at this past year’s Comic-Con sans base.
A booklet that comes with the figures shows all three series 1 characters, plus the Gotham Minimates, who are a more unexpected selection.
Selina Kyle comes with a base that can be used by itself or in combination with Jim Gordon’s. Articulation on her includes a pseudo-ball-jointed neck (it’s more of a hinge-pivot combo, and slightly awkward, which is true across the board with these figures), pivot-and-hinge ball shoulders, elbows, wrists and ankles, true ball hips, upper thigh cuts, double-knee, cut waist, and lower calf cuts. Most of her joints are the clicky kind, but she’s surprisingly easy to stand and pose.
She also comes with some stolen milk, but nowhere near enough for my coffee…
In addition, she comes with parts to attach to Gordon’s base, including four nail-like things that I can’t figure a use for. They don’t fit in any holes I can find.
Oh, and the photos don;t show it well, but her head-goggles do have a subtle, shiny green tinge to them.
Gordon comes with a base that, frankly, looks stupid without Selina’s attached. I guess they figure she’s the more popular toy, and if you buy him, you’re definitely getting her. The trash cans and box are sculpted on, and the sole foot peg is in the middle of what looks like a puddle of urine, for that authentic Crime Alley feel.
Gordon has most of the same articulation as Selina, except that he adds a mid-torso ball joint, his hips are hinge-and-pivot, and he does not have the lower-calf cut joints. Despite being the most normal-looking of the three, he is the hardest to stand up, possibly due to slightly looser ankles and a heavier upper body – he’s mostly a harder plastic than the other two. His sole accessory is his gun, which is clear-elastic-banded to his hand.
The back of Selina’s base also features a hook to hang it on the wall – either by itself or attached to Gordon’s.
When you do put them together, the floor of her piece has to be moved higher up the back wall. There are no instructions included, so it takes a moment to figure this out. Then you plug the bracers included with her underneath, and clip the fire-escape ladder to the side. Et voila! Crime Alley. Not to scale.
Remember that big asterisk I mentioned before? It’s this – even if you’re not a fan of Gotham the series, a diorama of Crime Alley in Gotham City might be of use to you in other ways.
You just never know who might show up.
Penguin’s base is a bit of a bummer by comparison. not even a foot peg. I believe it represents the dock where Gordon was to shoot him.
Oh no! A Kaiju is emerging from the bay! Watch out, Oswald!
That was a close one.
Green and purple – the Gotham villain dress code.
Oswald comes with an apple, an umbrella and alternate hands, though the latter are a bit pointless – the left hand that holds the umbrella best can be switched out for a left one that holds the apple best, but really, the apple will fit in the right hands too if you squeeze it in right.
He has the same articulation as Gordon. but the neck is most frustrating on him – I’d really like to cock his head to the side quizzically, but I can’t, because it’s not a true ball joint. This also means he will always be looking down slightly.
It’s a bummer that he’s the least exciting of the figures seeing as how he’s the best character. Teh sculpting is by Gentle Giant, but I feel like a more goth paintjob was needed.
One thing I did notice is how lighting affects perception. Like, with a flash on, he just looks sad…
…but add shadow, and he becomes devious. He’ll have to be, to get out of that swimsuit contest with Batman.
At $25-$30, these are great value if you like the show, though I hope they revisit Penguin and do a newer version that really does Robin Lord Taylor justice. Jim and Selina are fine figures by themselves, but the diorama really puts them over the top – if you have any interest in these at all, that should be what seals it. NECA may have just announced DC figures in this scale that are bigger fan-faves, but they’ll never make a Gotham street scene for them to stand in. This is the one.
Series two, unfortunately, looks less interesting diorama-wise, with Ed Nygma coming with his desk, Alfred with a fireplace, and Bullock with a lower half of an alley to attach to Gordon’s. Without another upper part, that’s going to look weird, but I can’t imagine who such a thing would come with. Young Bruce, maybe?

Stephen King Opens Up the Dark Tower for Business Again
?Stephen King is writing another Dark Tower book. Specifically, about this (from his blog):
At some point, while worrying over the
copyedited manuscript of the next book (11/22/63, out November
8th), I started thinking–and dreaming–about Mid-World again. The
major story of Roland and his ka-tet was told, but I realized
there was at least one hole in the narrative progression: what
happened to Roland, Jake, Eddie, Susannah, and Oy between the
time they leave the Emerald City (the end of Wizard and Glass)
and the time we pick them up again, on the outskirts of Calla
Bryn Sturgis (the beginning of Wolves of the Calla)?There was a storm, I decided. One of
sudden and vicious intensity. The kind to which billy-bumblers
like Oy are particularly susceptible. Little by little, a story
began to take shape. I saw a line of riders, one of them
Roland’s old mate, Jamie DeCurry, emerging from clouds of alkali
dust thrown by a high wind. I saw a severed head on a fencepost.
I saw a swamp full of dangers and terrors. I saw just enough to
want to see the rest. Long story short, I went back to visit an-tet
with my friends for awhile. The result is a novel called The
Wind Through the Keyhole. It’s finished, and I expect it will be
published next year.It won’t tell you much that’s new about
Roland and his friends, but there’s a lot none of us knew about
Mid-World, both past and present. The novel is shorter than DT
2-7, but quite a bit longer than the first volume–call this one
DT-4.5. It’s not going to change anybody’s life, but God, I had
fun.
The Dark Tower is one of the holes in my nerd education (feel free to chastise me in the comments) but my impression has been that given the way the Dark Tower series kind of fizzled out, another book would be more aggravating than anticipated — especially a book that takes place in-between the other books. Am I wrong?
What Could Have Been: Neil Gaiman and Guillermo del Toro’s Doctor Strange
Sometimes, you hear about film pitches or concepts that you wish you don’t want to know about. Why? Because the knowledge of a certain film collaboration is so monumentally awesome that the reality of it falling apart is rather sad. In one of those what could have been moments, superstar writer and creator Neil Gaiman revealed on Twitter (see below) that there was a point when he wanted to write a Doctor Strange movie for Marvel studios, that he would collaborate on with superstar writer-director Guillermo del Toro (Pacific Rim, Pan’s Labyrinth).
To be fair to Marvel, Benedict Cumberbatch as Marvel’s Sorcerer Supreme is near pitch-perfect casting. Cumberbatch playing the character for the Marvel Cinematic Universe is an inspired choice and certain to be a dream come true. However, it’s somewhat disappointing that there was not more interest in seeing what Gaiman and Del Toro might have had in store for the property. If Del Toro would ever do a Marvel film, Doctor Strange and his magic realm seems to be the best fit for Del Toro’s unique storytelling style.
In addition, Gaiman’s apparent conversation about a Del Toro collaboration for a Doctor Strange movie happened eight years ago in 2007. At that time, Iron Man and The Incredible Hulk hadn’t even been released. The idea of a shared universe of Marvel films and TV shows hadn’t really taken shape and still just sounded like an exciting fantasy. Plus, who knows if Doctor Strange could’ve have been the hit it will likely become next year? Marvel probably wasn’t ready to move forward with Doctor Strange when the film division was just starting a crazy endeavor to produce, and independently finance, their own movies. Still, it’s fun to imagine what the creator of Sandman and the genius behind The Devil’s Backbone and Pan’s Labyrinth could’ve come up with.
@KurtBusiek I still wish Marvel had been interested in a @RealGDT & me Dr Strange movie, because I wanted to write Clea so badly after 1602.
— Neil Gaiman (@neilhimself) November 27, 2015
@MildlyAmused it was a conversation I had with Marvel Films back in 2007. At the time Dr Strange was way down their list, & we let it go.
— Neil Gaiman (@neilhimself) November 30, 2015


































