TV

Fear the Walking Dead SPOILER Recap – Whither Cobalt?

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Justina Mintz/AMC

Aaaand that’s a wrap on the first season of Fear the Walking Dead, which turned interesting just in time to end. Here, I think, is the basic test to apply: can you name one moment – just one – in this whole first season that was remotely as memorable, and reference-able, as Rick Grimes discovering the hospital doors that read “Don’t open. Dead inside.”? I say no. Nothing close. And granted, the parent show has the advantage of a comic to (somewhat) follow, but I’m not sure that’s an excuse.

So, does L.A. blow up real good in this last one? Away we go…

-LA in complete darkness is haunting. Too bad people will have to show up onscreen soon and ruin the mood

-Travis is the Only Decent Guy left. We get it.

-D’oh! Heckuva time for your kids to find out you were a torturer rather than a victim, Salazar.

-Damn, Travis’ ex is harsh, but she does want to save him.

-Meanwhile, Travis is still tortured about being decent. Hatosy pleading for his life seems semi-tough for the first time. FORESHADOWING!

-Salazar apparently just strolls around everywhere unhindered. Like, how did he even get to the arena and back?

-Undead HORDE! Yay!

-Oh thank God, next Sunday we’re back to zombies attacking characters we actually care about.

-Ahhh…by the end of this episode, we will see whether Tortured Decent Guy or Pragmatic Bastard is right. Normally I’d bet on the latter, but this being TV, you never know.

-Ooh, Nick out-devioused Devious Guy!

-“The Compromised Compound” sounds like a Lemony Snicket book.

-“Abigail”? Like Bray Wyatt’s ghost sister? Something about that name seems to work for people writing stories of the dead.

-Is KFC really served well by commercials that compare eating their food to zombies gnawing on human flesh? And can we get Walking Dead kids’ meals now? I want a cheap plastic Rick that just yells “Coral!” over and over.

-Suicide by running into helicopter blades is the highlight of this episode so far.

-“It’s all right. They’re slow.” – Devious Guy will come to regret that line. If not now, then next season.

-Travis, there’s no time to save everyone! You’ll just have to be a Tortured Soul some more! But you’re good at that.

-Save the junkie and the Devious Guy, and let the dead through. Not a good trade, longterm.

-Stop. Hammer time! Bolt cutter time! Hammer time again!

-Devious Guy’s name is Strand, apparently. Which is ironic because he did not “strand” Nick. I get it.

-“I know this place is overflowing with zombies and all, but I want to risk everything to see my dead, infected mother.” Ummm, no.

-“A home on the water.” That was the plan in Zack Snyder’s Dawn of the Dead, of course.

-Guys, are we forgetting that whatever “Cobalt” is is gonna kick in around 9 a.m.? [“Yes, we are forgetting” – the writers] Hurry your asses up!

-“We must go now!” – Thank you, Salazar. Only here comes Hatosy to kill you.

-BANG! And suddenly pacifist Travis loses his shit. Score one for assholery over compassion.

-And now we mirror the intro of the episode, by copying the opening of The Purge: Anarchy. Same bridge and everything.

-This is why the LA river has such wide banks. For movie and TV getaways.

-Strand owns the only building in LA with a generator, I guess. And nobody managed to hop his fence.

-Metaphor! Being in a zombie apocalypse is like being a drug addict!

-Is this the only Talking Dead that has aired after Fear? Does that mean even Chris Hardwick’s having trouble being interested?

-What we need here is a ticking clock that shows us how close it is to 9…

-Welp, now Travis’ ex-wife problems are all gone. And Pragmatic Bastard wins out.

-We’re about due for Big Cliffhanger, no?

-Or just a big long pull-out, whatever.; with a pan into the ocean for no reason. And nobody ever saying what Cobalt was – I guess that was just another name for evacuation. And not the bowel kind.

If the show had BEGUN with this episode, it might have been a lot better. But more expensive.

Who’s tuning in for season 2?

About Author

Luke Y. Thompson has been writing professionally about movies and pop-culture since 1999, and has also been an actor in some extremely cheap culty and horror movies you will probably never hear much about (he is nonetheless mostly proud of them, as he met his wife on one). As editor of The Robot's Voice since 2012, he can take the blame for the majority of the site's content, all of which he creates because he loves you very, very much. (Although he loves nachos more. Sorry.) Prior to TRV, Luke wrote for publications that include the New Times LA, Los Angeles CityBeat, E! Online, OC Weekly, Geekweek, GeekChicDaily, The L.A. Times, The Village Voice, LA Weekly, and Nerdist